Showing posts with label marlborough. Show all posts
Showing posts with label marlborough. Show all posts

Sunday, May 20, 2018

The Alphabet Soup Project: P is for Pinot Noir


When I started filling this space with words, the cultural touchstone for wine was a 2004 indie-film-that-blew-up called Sideways. The events of the film surround a wine tasting bachelor trip through Santa Barbara County’s Pinot Noir country. Sideways hasn’t held up as a film terribly well, but the movie had a large economic impact.

According to a 2017 NPR report, since the release of the film, US production of Pinot Noir has increased by 170%, while total grape production has only increased by 7-8%. (Merlot’s sales also took a significant hit for awhile, due to a main character’s disdain for “fcking merlot.”)

I enjoy few red varietals more than Pinot Noir. Pinot Noir, by nature, yields a light-bodied wine with delicate yet full aromatics. The flavors most associated with pinot are cherries, berries, backed with smokiness. Pinot is not usually terribly tannic, and it’s fairly acidic, which makes it a perfect food wine, pairing with anything from salmon to duck to big stews like beef bourguignon. Pinot also takes on many characteristics of the soil, so terroir is a major factor in the wine’s flavor.

Pinot Noir is a tricky grape to grow, which can make it pricey. Pinot vines grow best in cool climates, have low yields, and a thin skin, which can make it susceptible to damage from quick temperature changes, mildew, fungus, and sunburn. All these factors pop up on the pricetag, sending many vino-newbies to the next aisle.

Many winemakers blend Pinot Noir with less expensive juice to stretch their supply at the expense of quality. For the sake of this column, I tried to stick to wines made from 100% Pinot Noir.
 
France’s Burgundy region is the world’s best known locale for Pinot Noir. If you see a red wine from Burgundy (“Bourgogne” to the locals…), it’s going to be 100% Pinot Noir. Burgundy’s Pinot Noirs are consistently considered some of the finest wines in the world and many are built for long aging and super complex flavors.

That’s not our consideration here. The wine I chose, Louis Jadot 2015 Bourgogne, will give you the general idea of what Pinot Noir from that part of the world tastes like, at the sacrifice of some complexity. One common difference between Pinots from France and elsewhere in the world is an earthy undertone – the “Old World Funk.” This wine has just a hint of that earthiness to go with its berry and smoke flavors. This would be best considered a “starter Burgundy,” and you can snag this for $15-17, so you might get your bearings on the region with this one.

If you flew due west from Burgundy, you’ll eventually land in Oregon’s Willamette Valley, home to some of my favorite wines. The richer, fruitier California Pinots traditionally lead the market for domestic Pinot Noir, but I think Oregon provides better value and flavor for my Pinot dollar. Oregon pinots tend towards a sultry fruitiness and smokiness.

I’ve written about Locations Wines previously. Winemaker Dave Phinney tries to create wines that he feels reflect the basic characteristics of a region. His Oregon Pinot Noir sources grapes from across the Willamette Valley. I certainly thought it was a decent reflection of the basic flavors of Oregon Pinot – but with the volume turned up. The cherry, smoke, and tannin involved here were all much more pronounced than I find in many Oregon wines, which tend to be somewhat subtler. Still, at $18, a decent value, and a decent regional intro.

Finally, New Zealand, known for many years as a Sauvignon Blanc hotspot, has been filling its barrels with Pinot since the mid 1990’s. You might sense a theme, but the EnZedd growing regions’ map coordinates are a mirror in south latitudes what you’ll find Oregon and France’s growing areas in the northern hemisphere. New Zealand pinots tend to be some of the lighter-styled versions, drawing accolades for fruity complexity.

The inexpensive one I tried was Oyster Bay 2015 Marlborough Pinot Noir ($13-15). I found it to be much lighter than the other two. The initial flavors are light and fruity, with the smokiness comes out after a little bit of time. Cherry, raspberry, and cola are the main flavors. The finish is lightly fruity. Quire delicate, and honestly, I didn’t think it was all that interesting. It’s better with a light type of food pairing, like trout with veggies.

Two final thoughts. First, as a rule, plan to spend $20+ on a bottle of Pinot Noir. There’s a big leap in quality right around that price point. Second, since Pinot has such complex flavors, decant the wine at least a half hour before drinking to let the complexity open up. Or, at the very least, dump the bottle into a pitcher and pour it back, which is my usual “speed decanting” method.

Enjoy!

Friday, May 20, 2016

Naked Vine Double Barrel – Reminiscing with Nobilo

One of my first turns on the pouring side of a tasting table was back in 2007 at a fabulous fundraising event called Wine over Water. This annual event, held on the Purple People Bridge over the Ohio River, features gorgeous views of the Cincy Skyline and general merriment. Tasting  tables lined the bridge, while folks ambled up and down the bridge, noshing, drinking, and generally making merry.

Showing wines at an event like this is a curious experience. While the attendees usually like wine, they’re not there really to learn much, or to get in-depth tasting experiences like those you might have at a winery. I found I usually had about 10 seconds to take a drink ticket, pour wine, and give the tipsy person in front of me a quick nugget or two that they might remember.  

The Sweet Partner in Crime and I found ourselves pouring at a station that included Nobilo. I can still remember my patter: “This is Nobilo, a sauvignon blanc from New Zealand. It’s fruity and crisp, with flavors of pineapple and grapefruit. Some people say it smells like fresh cut grass.”

That was about all I had time for, since the bombardment of folks greedily holding their glasses out for more kept coming…and coming…and coming…

[Sidebar – the stations where the SPinC and I worked at this event were always among the most popular. Winos respect winos, I s'pose.]

Why share this story? An offer came over the transom to sample Nobilo Icon, Nobilo’s flagship line of wines. Specifically, the Nobilo Icon Sauvignon Blanc. Just seeing “Nobilo” made me get all reminiscent of the days when I had many fewer lines across my old bald pate. Took me right back to that tasting table.

Once I got my Icon sample, I made a bop over to Big Wine Store to pick up a copy of the “standard” Nobilo Sauvignon Blanc, termed their “regional collection” to do a side-by-side comparison. What better way to see if the “flagship” label is actually worth a few extra shekels, right?

For a little background, Nobilo is one of the older wineries in New Zealand, founded in 1943 by Nikola and Zuva Nobilo, natives of Croatia. In the 1970’s, Nikola helped spearhead the push to move New Zealand’s wine industry from largely local operations growing native grapes to a more global market producing Sauvignon Blanc and Pinot Noir, the grapes for which EnnZedd is now best known.

Sauvignon Blanc became New Zealand’s calling card. Instead of the flinty, acid balls of white Bordeaux or the super fruity California styles, New Zealand’s sauvignon blanc offerings were smooth bodied whites full of grapefruit and tropical fruit with a hint of that fresh cut grass. It’s a style I’ve very much enjoyed over the years, especially in the summers.

Side by side, I tried this pair – the Nobilo Icon 2015 Marlborough Sauvignon Blanc and the Nobilo 2015 “Regional Collection” Marlborough Sauvignon Blanc.

The difference was apparent from the very first swirl. The nose and palate of the Icon were full of tropical fruit: pineapple, papaya, and mango. The regular was much more acidic on the palate, with grapefruit and pineapple as  the dominant fruit flavors. There were some definite herbaceous overtones, which weren’t really present on the Icon.

The Icon’s body was slightly fuller, as well – more medium weight than the more Pinot Grigio feel of the Regional. The Icon was zesty and acidic at the end, which eased off into a long tropical fruit finish. The Regional’s finish was much more straightforward. Zingy grapefruit flavors and a clean, crisp end.

Of the two, I personally preferred the Icon’s richness and more tropical flavors. For those who think the “herbaceous” New Zealand Sauvignon has gone a bit over the top, this one would be a really nice change of pace. On the other hand, I know a lot of folks who really groove on the high-acid, grapefruity, grassy styles, and the Regional would be much more in their wheelhouse.

The retail on the Icon is $22 and the Regional is usually around $12. When I was at Big Wine Store, though, I saw the Icon on sale for $15. That would be about a three-second decision moving forward…