Monday, October 24, 2016

COCO Cocktail -- An Idea Whose Time Has Come...for Some.

Years ago, back in my single days, I remember hanging out with some of my besties at my bachelor pad, quaffing some of my homebrews and probably watching a basketball game. The conversation turned, at one point, to different beer flavors.

Now, this was in the days before the craft beer boom -- when now-standard stuff like Sierra Nevada and Sam Adams were considered cocks of the walk. I'd done one of my first attempts at a flavored beer -- a knockoff of Magic Hat #9 that had a nice undertone of apricot -- as well as a slightly boosted alcohol level -- but I digress.

Anyway, I mused about why no one ever made vitamin-enriched beer. It would seem pretty straightforward -- add some baby vitamins before bottling, and a sixer could get you 100% RDA of all your vitamins and minerals. In a merciful turn, I never attempted that little experiment.

Fast forward a sizable chunk of years, and at my door arrives a sample of an interesting new alcoholic beverage called Coco Cocktail #REFRESH -- a concoction declaring itself an "all-natural electrolyte-charged 70% coconut water" which is "a good source of vitamins." As you can see from the nutrition facts, there is actual nutritional value within -- and a 4 pack would get you close to 100% RDA of Vitamins A, C, D, E, B1, and B6. There are also 14g of carbs within and it's gluten free, if you're concerned about such things.

This hashtaggy can of lightly carbonated beverage is labeled as a "wine specialty" -- meaning a flavored fermented beverage made from something other than typical grapes. It stands at 5.6% ABV, so it's in the ballpark of a typical IPA. The "wine specialty" in this case is that the alcohol comes from orange wine, which I assume is not the same version that Poussey produced on Orange in the New Black.

"Enough, dude -- what does it actually taste like?"

I received two cans of the stuff. The first one I had on its own. It's lightly carbonated and not overly heavy bodywise. I expected it to be heavier than it was, but it's not overly cloying. The flavor is strongly citrus and fairly sweet. The Sweet Partner in Crime and I kept trying to nail down what it reminded us of. It seems to be at an intersection of original Gatorade, Fresca, and sour mix, minus any of that aspartame/Nutrasweet aftertaste. If a beverage in that particular flavor range appeals to you -- you'll probably dig this.

It drinks pretty easily. I can see putting one away pretty quickly if you had a mind to do so. It wouldn't be my first choice of alcoholic beverage, unless I were in a situation where I'd crave a sports drink -- like after working in the yard all day or needing a replenish after overindulging the night before. It'd be a good hair-of-the-dog, if you didn't have bloody mary makings handy.

I imagined it would make a decent mixer, so I tested out can #2 in that frame. Honestly, my days of drinking sour mix-based cocktails are largely in the rear view. (Pampero Anniversario on the rocks, please...)  For science, however, I decided to cobble together a couple of drinks using Coco Cocktail #REFRESH as a replacement for sour mix. I made miniature versions of a Tom Collins, a margarita, and an Amaretto sour. The Collins didn't work -- coconut and gin don't shake hands. Since the Coco Cocktail is less sweet than most sour mixes, I thought it improved the other two drinks -- cutting back the sugary edge a bit and smoothing out the mouthfeel.

[Remember -- it's 5.6%, so adjust the alcohol levels accordingly. Or don't.]

I can certainly see the appeal of an alcoholic sports-ish drink or a mixer that could act as a party cocktail amplifier. Back at the bachelor pad, I'd probably have kept a pack of these around my stash of tequila and Grand Marnier for spontaneous margaritas. And we'd have toasted our smarts for drinking healthy.

COCO Cocktail retails for $8.99 for a 4-pack.

Thursday, October 06, 2016

Naked Vine One-Hitter: Harken, the "Throwback Chardonnay"

When I went to the Sweet Partner in Crime's house for the first time, she offered me a glass from a big ol' bottle of Meridian chardonnay that she had in the fridge. This was in the early oughts, when most California chardonnay was chardonnay -- big, oaky, buttery wine with lots of emphasis on the oak.

That flavor profile was the common style, in my experience, up until the middle of the 2000's -- when many wine consumers, including myself, started turning their backs on chardonnay in favor of wines that were a little less rough around the edges. The rise of Sauvignon Blanc and Dry Riesling -- more fruit, less creamy charcoal -- started to eat into that market, as did relatively inexpensive imports from South America and Europe. In my personal shopping habits, California chardonnay went from "always in my shopping basket" to an aisle I rarely ventured down.

Sensing the change in consumer desire, California chardonnays started dialing back the level of oak and butter. Unoaked chardonnay became a thing, as winemakers turned to stainless steel for aging instead of oak barrels. Buttery flavors faded -- until many left coast chards became almost indistinguishable from the lighter-styled wines coming in from all over.

The pendulum is beginning to swing back in the budget wine world, as evidenced by a recent sample of Harken 2015 Barrel Fermented Chardonnay that I was lucky enough to try. Harken bills itself as "Old School Chardonnay," so I readied myself for a bit of a blast from palate's past.

Before we get to the wine, let's take a moment and talk about Chardonnay in general. Chardonnay may well be the most flexible varietal in the world. It can grow in almost any climate that supports vinifera grape growing. Chardonnay reflects the terroir of a region very distinctly. One of the fun things about unoaked chardonnay is that it gives a drinker a real sense of place (minerally soil vs. volcanic -- warm vs. cool, et al.). Unoaked chardonnay, however, can be fairly ordinary -- so adding touches of oak or butter can jazz up the overall profile.

Oakiness in wine comes from juice contact with wood. The wine soaks into the wood a bit, extracting some of that oaky flavor. Barrels can be charred, or charred staves can be added to a fermentation tank, to boost the level of smokiness.

The creamy, buttery flavors come from a process called malolactic fermentation (or just "malo" to wine heads). This is a process by which bacteria is added to wine, converting malic acid -- which is fairly tart -- to lactic acid. "Lactic" means "of milk," and this compound is found in most dairy products. Malolactic fermentation is often used to smooth out high-acid wines, such as cool climate wines, but it can also be used to really accentuate a buttery note in the wine.

Which brings us to the Harken itself. It's entirely fermented in oak barrels and goes through 100% malolactic fermentation, which cuts the acidity and sweetness. It's aged for 7 months in an 80/20 mixture of American and French oak and then bottled.

Thankfully, the Harken's constructed with a little more care than some of those inexpensive bottles from those oak bomb days of yore. I found distinct sweet apples and pears on the nose. As advertised, there are strong creamy, caramelly notes on the palate, backed by a firm smoky oak background and more pear and tropical fruit flavors. I hesitate to call it "creme brulee" -- because there's really no sweetness to speak of. The finish is solidly oaky with a bit of an apricot note.

I thought that it would make a nice accompaniment for a smoked duck breast that I'd done in my new Cameron stovetop gizmo, but I was a little disappointed by the pairing. The smoke and oak flavors really didn't agree with each other. However, I tried a little of it a couple of nights later with roasted tilapia with a garden tomato salsa, and that went really well. The oakiness is able to tame food that has a little bit of a zip to it -- so I would think it would go with any number of food selections.

The Harken Chardonnay is around $15 retail. I do have to give their marketing department a special shoutout. The promo sample I received came with its materials on the reel of an old Mattel ViewMaster. If you're of a certain age, you'll remember this 3D viewing gizmo with the two lenses. You know, something like this:

I won't lie. It gave me a pleasant childhood flashback and made me smile. The wine's pretty good, too.

Monday, September 26, 2016

Naked Vine One-Hitter -- Montefalco Bianco

We've had a number of posts around these parts about the wines from Montefalco. Most recently, I added a post about the relief efforts following the recent Umbrian earthquake that caused widespread devastation in the area. I got word the the consortium of winemakers from that region donated a portion of their proceeds from the recent Oenologica festival in Montefalco to the relief efforts. Let's hope that folks get their lives back to relative normalcy very soon.

From a wine standpoint, while I've been doing a fair amount of writing about Montefalco's red wines, Umbria is best known for its white wines – and Montefalco produces a number, although they are lesser-known than the whites from neighboring Orvieto. Umbrian whites tend to be fruity and full-bodied, driven by the strong flavor from the locally indigenous grape Grechetto.  As an example:

Broccatelli Galli 2015 "Nido Del Falco" Montefalco Bianco: This white, whose name translates as “Nest of the Hawk,” is made from a blend of Grechetto and Trebbiano, with some Chardonnay blended in for good measure.  After a sunshiny nose of pears and honey, the body is fairly round. There’s a little more tartness to the taste than the nose led me to believe, which is a similar sensation to many Viognier. Lemon and peach roll into a finish that’s a bit creamy. I imagine it would be relatively flexible, foodwise – we actually had it with a pork roast that I’d marinated in vinegar, soy, honey, and the Korean spice paste gochujang. I was delighted at how well that worked. 

I think it's certainly worth looking for a few of these if you like your Italian wines with a bit more oomph.

Wednesday, September 21, 2016

All About Olive Oil

One nice thing about my little wine adventure is occasionally being asked to do samples of other gastronomically-themed items. Restaurants, decanters, wine chillers – these have all been brought under my umbrella. Today brings a new one – high-end olive oil.

The good folks at Ancient Olive Trees asked me to sample some of their artisanal olive oil. As anyone who’s spent any time poking around my writing knows – the Sweet Partner in Crime and I cook quite a bit, and olive oil is a staple in our kitchen.

Since Rachel Ray softly cooed about EVOO, the use of olive oil in many American kitchens exploded. American consumers go through about 80 million gallons of olive oil per year, only about 2% of which is actually produced in the United States. The U.S. has been steadily increasing domestic production – both among large, factory farmed oils and smaller producers like Ancient Olive Trees, which is headquartered in California.

Olive trees need temperate-to-warm climates to thrive. Olive oil is currently produced in California, Arizona, Texas, Georgia, Florida, Oregon and Hawaii. (I can attest to the Arizona production. When I was in graduate school out there, I discovered that the blooming of olive trees gives me hay fever something awful.) Most oils come from olives harvested and pressed when they’re green.

As you know, there are different classifications of olive oil. Most of the world uses a system based on guidelines set by the International Olive Oil Council (IOOC). The U.S. uses a USDA classification which predates the IOOC. (As American olive oil production grows, there is some movement towards joining the IOOC standards.) Either way, there are three basic varieties of edible oils: extra virgin, virgin, and standard olive oil.

Now, if you’re like me and have the sense of humor of an average 12-year-old, you’ve snickered at the notion of anything being “extra virgin.” The nomenclature doesn’t have anything to do with the quick pressing of the olives or the dating habits of the trees. Instead, the chemical composition, processing, and flavor are what creates the distinction among the various types.
Olive trees in Greece
Extra virgin and virgin olive oils are created from the first pressing of the olives, which removes about 90% of the olive juice. These oils can have no further refining or processing after pressing. The backbone of the definition is the amount of oleic acid present in the oil. The less acid, the better. The premium extra-virgin oils have less than .225% oleic acid. The cutoff for extra-virgin in the U.S. is 1%. As the acidity level increases, we move through the various “virgin” categories, until we reach “semi-fine virgin oil.” We rarely see stand-alone oils considered “virgin” in the U.S.

Once the acid level gets above 3.3%, or there are flaws in color, flavor, or aroma which render the oil “unfit for human consumption” – these oils are generally refined with heat, chemicals, and or filtration. The result is a nearly colorless, flavorless oil. They are then generally blended with one of the aforementioned virgin olive oils to impart a little flavor. These are the standard “olive oils” you see for cooking or packing food. There is also “pomace oil” made from paste left over after pressing and refining.

One culinary note: If you’re really into dressing, drizzling, or dipping, the flavors of an extra-virgin oil can be a real enhancement. However, actually cooking with extra-virgin olive oil is really a bit of a waste. While there are some inexpensive extra-virgin oils which might be considered “dual use,” what sets extra-virgin oil apart from regular olive oils is the subtlety of flavor. Heating an extra-virgin olive oil to its smoking point denatures the flavor compounds, rendering it little different from regular olive oil. For the stove, regular olive oil is a superior choice.

This brings us to our Ancient Olive Trees sample. We tried a side-by-side-by-side comparison of the AOT oil alongside a store-brand extra-virgin oil and an extra-virgin oil from Hawkes in Sonoma.

The differences were pretty striking, especially between the two “artisanal” oils and the store-brand stuff. The store brand stuff tasted like…well…oil. There was an olive flavor, but it didn’t have a great deal of complexity. The Ancient Olive Trees oil had a sweeter, lively flavor, with a little bit of an antioxidant zing in the back of the throat. The finish was smooth, somewhat fruity, and tasted a bit of hazelnut. The Hawkes oil was stronger and spicier, with an almost peppery note at the finish. I preferred the Hawkes on its own, followed closely by the AOT.
Mmm...Caprese salad...
With food, we had some farm-fresh tomatoes from the farmshare, so with some of our garden basil, we put together a nice Caprese salad for lunch. More specifically, we did a couple of small Capreses. The AOT oil was the winner among the three for a simple preparation like this – as it  had enough zestiness to make the olive oil a distinct player in the flavor, but it didn’t overwhelm the tomatoes, as the Hawkes did a bit.

There is, of course, the question of price. The high end extra virgin oils can be pricey. Ancient Olive Trees sells a 375ml bottle of their olive oil for $25 + $5 shipping, so it’s not really inexpensive. You can get a gallon can of the “dual use” store brand stuff for the same price, which doesn’t have the same breadth and depth of flavor.

If you think of olive oil as more of a condiment – if you’re a compulsive drizzler, dipper, or dresser – then having something around that’s a bit more high-end might be a nice bit of culinary pampering. Most oils of this quality will start at $20-30, so this would be a good option if you’d like to explore the world of oil. If all you’re doing is glugging it in a pan – you have better options.

As an aside, Ancient Olive Trees also does sell established olive trees. You can grow your own – but only if you live in hardiness zones 9 through 11, which means that you’re getting long, hot summers and temperate winters. Not going to be raising many anywhere near the Ohio river, but if you’re one of my far-flung readers and you’re looking for some new outdoor décor, just an option…

Thursday, September 15, 2016

Wine for Rehab Addicts

Home renovation shows are the Sweet Partner in Crime’s guilty pleasure. Especially the one where
an inordinately attractive person finds a suitably run-down or outdated target, starts a renovation, bickers and banters, runs into a complication that chews up the budget – but still manages to create a beautiful entryway out of wood reclaimed from an old gazebo they borrowed from a property up the road just in time for the big reveal…you know, that one. Or that one.

What does this have to do with wine? Well, we all like shiny things.

There’s an apocryphal “study” – that I’ve never been able to actually find anywhere – which allegedly states that the average person takes 38 seconds to select a bottle of wine. I’m not sure how exactly to read that. Were they controlling for the size of the wine store? Did they include choosing whether a person knew they were looking for red Burgundy or California Chardonnay?

Regardless...if you’re an everyday wine drinker, unless you have a particular bottle that go back to time and time again, wine buying is largely an impulse purchase. There’s the glance at the rack, a price comparison, a quick scan of any Parkerish scores that happen to be on the shelf, and the “Is a $10 wine at 88 points going to be different from this $15 at 90?” cross-reference.

And, of course, a purchaser looks at the label. Wine producers know this. We’re a long way from the days of plain wine labels with a winery, a region, a varietal, and a vintage. Bottle labels are packed with information now – tasting notes, food pairings, stories about how the wineries came to be. Each meant to distinguish one bottle from another, so a wine consumer can find what they’re looking for.

The current state of wine label marketing has been called “label porn” as producers try out newer, more eye catching, more quick-catchy displays and label artwork. Walk into any contemporary wine store and you’re deluged with an overwhelming array of funky fonts, cute art, and bright colors.

But cleverness only goes so far. Once everyone starts getting clever, then the buy me now message gets diluted. With all this variation, how can a producer get their bottle to call out “Pick me!”

One possible way? Make the bottle itself look different. Bargain-basement wines have done this for years – jugs of Almaden, lozenges of Mateus and Lancer, straw-covered cheap Chianti, or the hangovered fortifications of Black Tower are regulars. But among “normal” wines, a few standard bottle shapes and colors rule the shelves.

After getting a couple of interestingly-bottled samples, I popped down to Big Wine Store and did a pass through the aisles to snag a couple other interesting containers, with the notion of “When I’m done drinking this, could I repurpose the bottle into some interesting artifact” in mind:

Astoria 2014 “Caranto” Pinot Noir – Pinot isn’t something I usually think of when I think of Italian wine, but I’m always up for new things. Apparently, Pinot Noir grows in the northeastern corner of Italy, near Venice. I was quite pleasantly surprised by the quality of the wine. I’m used to lighter Italian grapes like Sangiovese and Valpolicella yielding light bodied wines – but this Pinot had a surprising amount of oomph. Nice palate weight with raspberries and cherries combining silkily. Smooth smoky tannins are nicely balanced and yield a smoky finish. It’s a solid wine. I was stunned to see it listed for around $11. A great value in this stubby, high shouldered bottle.

Vilarnau (NV) Brut Reserva Cava – Let’s just give props first for the beautiful label design – a colorful mosaic-ish riot of color that easily stands out from a row of Cava. I make no bones about my enjoyment of Cava, one of my favorite “Don’t think” sparklers, but this one gets a few bonus points from me. First, it’s a “brut” that’s actually brut. Many brut Cava either lack fruit flavors or taste like they have extra residual sugar. This wine has some lovely green apple and yeast aromas, but the palate is dry, crisp, and refreshing. One of the more complex, balanced Cava at its price point. And pretty!

Gérard Bertrand 2015 “Cote des Roses” Languedoc Rosé  -- A truly unique bottle style, tall and tapered, with the bottom of the bottle cut into the shape of a rose blossom, so you can show up at your intended’s door like:

The wine itself is minerally and crisp, with light strawberry and citrus flavors. I found lemon peel and stone on the finish. A really versatile rosé, workable with anything from porchtime sipping to spicy pork dishes. You should be able to find this for around $13.

The curved, feminine lines of the Aimé Roquesante 2015 Cotes de Provence Rosé also caught my eye in the pink aisle. This inexpensive, dry, strawberry-filled quaffer that looks lovely in both the bottle and glass. The salmony color is backed with a lean, zingy acidity and and friendly fruity finish. An excellent value at $10, as well.

Finally, while traipsing through the store, I came across a cute little high shouldered bottle, the Scholium Project 2009 Lost Slough Vineyards “Riquewihr” Gewurztraminer. The Scholium Project does small batches of grapes from interesting vineyards, using natural fermentation and long aging. Their small lots are mirrored in their small bottles. I likely would have let this one pass if it hadn’t been on deep sale, as for 500ml, it would have run $35+. This Gewurz, sourced from a vineyard outside Sacramento, fooled me into thinking it was a Viognier with its perfumey nose of peach blossoms that marches quickly into a minerally, Alsatian characteristic. Honestly, it was a very interesting wine, while not my favorite.

Now that you’ve got some extra glassware, let your ideas for objects d’art run wild. While my own mind generally doesn’t run towards design, I hope the SPinC will enjoy this:

Thursday, September 01, 2016

Montefalco Rosso (Slight Return) – and relief from the Italian earthquake

The good folks in Umbria must have had a couple of good Sagrantino harvests. I keep winding up with bottles of Montefalco Rosso, an Italian red made from that expensive to produce grape, blended with some other varietals. These wines make good options for your Labor Day grilling.

While the harvests have been strong, Umbria also has some pretty serious issues of its own at the moment. Many of you have probably read about the 6.2 magnitude earthquake in Italy that leveled hundreds of structures. The casualty numbers continue to climb. The epicenter of that earthquake was in Umbria, and many of these wines are produced scant kilometers from cities which stood from Medieval times until last week.

Obviously, we’re limited in what we can do to help directly – although purchasing Umbrian wine is one indirect help. If you would like to make a contribution, you can donate directly to the Italian Red Cross or to the National Italian American Foundation – both of which are currently working on relief efforts.

To refresh your memory, the Sagrantino grape has been grown in Umbria at least as far back as the mid 1500’s, with some scant records indicating it may have been grown as early as the turn of the millennium. This grape, grown primarily for sacramental and religious festival wines, was almost wiped out until the early 1990’s, when growers were able to gain a classified status for the grape and expanded the production.

On its own, Sagrantino creates enormous, tannic reds which have the highest concentration of polyphenols like resveratrol which are the compounds that give red wine its health-related benefits. It’s also the most tooth-staining varietal that I’ve ever happened across, just as a warning. In many regions, heavily tannic grapes are often blended with lighter varietals -- and the juice can be from either red or white grapes – to balance tannin and acidity in big wines or to create wines that are more approachable to the general public.

In neighboring Tuscany, the winemakers there blended their native Sangiovese grapes with merlot, cabernet, and other red wines to create the now-ubiquitous Supertuscans. Borrowing from that model, the Umbrians created Montefalco Rosso, a lighter-styled red wine which features Sagrantino in the blend. Since Sagrantino itself makes for big, honkin’ wine – a little of it goes a long way in the blend.

Also, grapes like Sagrantino tend to be fairly expensive to produce. Most Sagrantino Montefalco start at around $40 and go up front there. Winemakers like to turn a profit, and blending can help them produce quantities of wine at a lower price point to help with the bottom line. Here are a few of those Montefalco Rosso, which you can find for around $20-25.

Arnaldo Caprai 2012 Montefalco Rosso – Once this one got some air (which involved me pouring the wine through an aerator into a decanter, then funneling it back into the bottle after an hour), the Caprai opened right up into a very interesting, bold red. The tannins were considerably softer than many wines made with Sagrantino, and there wasn’t nearly as much heat and roughness as I’d run into previously. The nose is full of currants with a backdrop of menthol. The body is full and rich with red fruits and some firm but not overwhelming tannin. The finish is long with just a little bit of an alcoholic bite to finish. It’s a bold red for any occasion with which you’d like a bold red. Go with grilled meats, nuts, and stinky cheeses.

Scacciadiavoli 2012 Montefalco Rosso – We found this one to be a little more bold than the Caprai. If you like your Italian wines a little on the rustic side, this would be a solid choice. Lots of depth of fruit at first taste up in the plum/blueberry range. That’s accompanied by some slightly rough tannins that remain so even after considerable air. They’re not overbearing, but you know you’ve got a wine with oomph. Finish is long, fruity, and dry. We had this with an eggplant parmesan – both out of the oven and a couple of days later with leftovers. Good pairing which would do well with roasts, big sauces, and such.

Perticaia 2013 Montefalco Rosso – By far the most mellow of the three, and the most pleasant just to drink. The tannins are smoother than in either of the other two, and it’s a little more fruit-forward. Nose is plums again, with a little bit of an herbal tinge. The body’s full, although not as “clingy” as the others. The fruit and tannins are both dark and relatively well balanced. The finish doesn’t have the length that the other two do, largely expected with the lighter tannins. I thought it worked well against a marinara-laced penne dish.

I have learned that the winemakers of the area are also planning their own relief efforts on the ground, so watch this space for additional information there – as well as for some information about the whites from that region. You know, for balance…

Saturday, August 27, 2016

Back to British Columbia – Vancouver Island’s Saanich Peninsula and Cowichan Valley

The Sweet Partner in Crime had a conference to attend in Seattle recently. After our wonderful time last year in Vancouver, we decided to pop over to Vancouver Island for a few days prior to the SPinC’s work responsibilities.

If you’re thinking, “Hey…if you were just in Vancouver – why go back?” – the city of Vancouver, BC, is not on Vancouver Island. It’s a ferry or floatplane ride away. What *is* on Vancouver Island (VI) is British Columbia’s beautiful capital city, Victoria, and some wine regions that you should learn about if you don’t think climate change is a hoax perpetrated by the Chinese.

At nearly 50° N latitude, Vancouver Island has some of the northernmost vineyards in the world. My affection for cool climate wines burst into full bloom as we tooled around the island. We did most of our exploring in two regions – the Saanich (pronounced SAN-itch) Peninsula and Cowichan (pronounced COW-itch’n) Valley. Here’s a map for reference:

Click to embiggen. (credit: Tourism Vancouver Island)
Additionally, the island is well known for slow food/farm-to-table cuisine. “Fresh from the Island” signs dot the storefronts and restaurants using local ingredients abound. Many of the wineries double as neighborhood lunch spots, where you can swap stories with the locals over sandwiches, fresh fruit, and glasses of rosé.

We set down home base in Brentwood Bay, about half an hour north of Victoria. Brentwood Bay is in Central Saanich. The Saanich wineries are tucked back here and there among some pretty rural roads up and down the peninsula. A short ferry ride from Brentwood Bay to Mill Bay (which, conveniently, loaded just steps from our hotel room), lands in the Cowichan Valley, which follows the Trans-Canadian Highway down to and along the southern coast of the island.

We quickly discovered something interesting – the wineries we explored on the island fall roughly into two camps: all-estate and kinda-estate. Most of the wineries grow at least some of their grapes on site. Many, however, supplement their harvest with grapes and juice from other regions of British Columbia – largely the Okanagan Valley, which produces 80% of all BC wine.

The winemakers who do “all-estate” wines – boy howdy, are they ever rightfully proud of that fact – are creating some pretty righteous juice from the workable varietals. Many varietals, like Cabernet Sauvignon or Syrah, simply won’t grow there. But the ones that do – pinot noir and pinot blanc, especially – develop uniquely crisp, clean characteristics. The whites tend to end up fruity and floral and the reds, especially the pinots, have superb balance for lighter bodied wines.

I’ve long said that winemakers need to focus on terroir before tourism. Sure, people are more familiar with Chardonnay then Ortega or Gewurztraminer – but if the latter make better wines in your climate, plant ‘em!

The best, best thing about the estate wines – at least for right now? They’re inexpensive. Most of these wineries’ high end offerings topped out at about $25-30 Canadian, which with the current exchange rate puts a high quality pinot noir in your happy hands for about twenty bucks. And most of these wineries are in beautifully scenic locations, so getting there is half the fun – although a car is necessary.

Here were some of our favorites:

The patio at Cherry Point
Cherry Point – “I try to turn the land into art,” said Javier, who with his wife Maria, came to British Columbia from Columbia and Ecuador. After a number of successful business ventures, including landscaping and restaurants in the city of Vancouver, the two of them decided to buy a vineyard on VI.

They make a series of wines of quality. Our favorites were the floral, grapefruit-and-green appley Pinot Blanc; a tropical fruit flavored riot in their Ortega; a light-styled pinot noir; and a blend of Agria and Zweigelt (Hungarian and Austrian varietals) called “Bete Noire” that was full-flavored without being heavy.

The winery also does an annual paella-fest, where Javier shows off the recipe that has earned him multiple medals in competition.

Venturi-Schulze – After our taster, Gary, dealt with a gaggle of Snapchatting bachelorettes, we were treated to their interesting spread of estate grapes: a sparkling Zweigelt, an aromatic white called Siegerrebe, a light, peachy blend of Ortega and Schönburger called “Primavera,” and a beautifully delicate-yet-spicy pinot noir. The wines were good, but they weren’t the star of the show. The vinegar was.

Yes, vinegar. The folks at this winery make balsamic vinegar in the traditional fashion of Modena. What most people buy at the store isn’t really balsamic vinegar. Traditional balsamic vinegar takes 12-15 years, minimum, to produce Fermented grape must -- juice that includes the pressed grapes, stems, and skins -- is aged in a series of barrels in a “solera” system like sherry. (The ersatz three-buck-a-bottle stuff in your grocery store is just wine vinegar to which flavorings or colorings have been added.)

The result is headspinningly good – mellow and slightly tart, full of fruit, caramel, smoke, and wonder. It’s not cheap ($65 Canadian for a 250ml bottle) but it’s truly special. (As far as I can tell, the only other place that makes balsamic vinegar like this in North America is in New Mexico, of all places.)

Averill Creek – “This will be the home for pinot in British Columbia” said Andy Johnston, Averill
Averill Creek Winery
Creek’s vintner. If his product is any indication, I wouldn’t argue too much with him. Their 2012 Pinot was one of the highlights of the trip –beautiful, cool fruits are deep and smoky without being extracted, and ridiculously underpriced at $22. Seriously, it had no business being that good for that price. They also make a lovely, delicate rosé and a red from Marichal Foch that reminded me of Beaujolais.

Andy said that while he “goes where the terroir takes him,” he does have a couple of tricks up his sleeve. He experimented with wrapping the perimeter a block of grapes with cling wrap to give a little bit of extra insulation at the start of the season. He thought it worked so well that he’s considering doing it to his entire vineyard next spring.

Symphony – We shared a laid back tasting with Pat, half of the ownership duo, while she was cutting fresh rhubarb for one of the chutneys they produce onsite. She told us that they’d been on that land since the 50’s, but only started planting grapes about a decade ago. She treated us to a bright, lovely Ortega; an Alsace-styled dry Gewurztraminer; and a pair of pinot blancs – one oaked, the other not. (The SPinC and I split on which one we preferred.)

She poured us a rosé of pinot, which we both really enjoyed, as it was made in a very Provence-style, and a light-styled Pinot Noir. She also let us try a tank sample of their 2015 Pinot, which looks to be a real winner.

Enjoying a "slushie" at Sea Cider
I’d also recommend a tour and tasting at Victoria Distillers in Sidney, where they crank out small batches of spirits of various types. My favorite was their gin, which was done in a more botanical style than the typical London Dry.

Apples grow plentifully throughout British Columbia, so there are a number of cider houses scattered across the peninsula. We stopped for a tasting at Sea Cider, where we sampled a flight of six ciders, a couple of eaus-de-vie, and a “cider slushie” while enjoying a beautiful view of Mount Baker. Our favorites were the “Bittersweet,” “Rumrummer” and “Pippins.” Thumbs up. 
And finally, no column about this area would be complete without at least one mention of the spectacular eye-candy that is Butchart Gardens. Look it up and gaze in wonder. We had dinner in their restaurant, which lived up to its many recommendations. For anyone who likes playing in the dirt, this experience should be on your bucket list.

Friday, August 12, 2016

Cool Climate Malbec? Cool Climate Malbec. Domaine Bousquet.

This space has a long history with Malbec, the varietal that has become the national wine and biggest export from Argentina. Malbec was one of the first wines I ever reviewed around here. Malbec’s popularity really took off in the mid-to-late 2000’s as Argentina started sending more and more of this fruity, sweetly tannined concoction to our shores, much of it from warm-climate areas of the Mendoza region. I was very excited recently to get a chance to try some cool-climate Malbec, produced by Domaine Bousquet.

One of my evolutions as a red wine drinker has been the change of my palate from a love of big, alcohol-laden fruit bombs to an admiration of lower-alcohol wines with more subtle flavors and textures. Some of this has to do with the varietals I prefer – I’m much more into Pinot Noir than Zinfandel these days, for instance. But a lot has to do with where the grapes are grown. You know, good ol’ terroir. I’ve discovered that I prefer wines from cooler growing climates.

The warmer the region, the more sugar is produced in the grapes themselves – which makes for a fruitier, more alcoholic wine. Cool weather makes grapes ripen more slowly. Sugar levels stay lower and flavors become deeper and darker. If you want a domestic example – compare a Pinot Noir from the cooler Sonoma Coast vs. those produced in Russian River Valley. I was very interested to see how this difference plays out in Argentina.

These Bousquet wines are produced in the Alto Gualtallary area of the region of Tupungato, one of the coolest regions in Argentina. This region, situated 4000 feet above sea level, is where Bousquet co-founders Labid Al Ameri and Anne Bousquet set up shop. The two met in school at St. Cloud State in Minnesota and founded the winery in 2005. I had the opportunity to ask them a few questions about the wine and what they’re terming a “cool climate revolution” in Argentina.

These grapes in Tupungato have a pretty good view.
“The cool climate in Tupungato offers plenty of sun during the day which helps increase the sugar level in the grape and good acidity during the night when temperatures can drop 30-40 degrees Fahrenheit,” said Labid. “This creates more balanced grapes and allows a longer maturity period that lead to more complex and fresher wines.” Anne added, “The disadvantage here is that that some high altitude areas could get frost once in a while due to low temperatures in Spring.” The soils, they shared, also have more in common with those in Burgundy than in most of the rest of Mendoza.

The two wines that I had the opportunity to try were the Domaine Bousquet 2013 Reserve Malbec and the Domaine Bousquet 2013 Grande Reserve Malbec. The two wines are produced from nearly identical blends – both are 85% Malbec with the rest comprised of Cabernet Sauvignon, Merlot and Syrah. The Reserve is aged for 10 months in French oak and 4 months in bottle, while the Grande Reserve goes for a year in both barrel and bottle.

The Reserve has really pretty nose of cherries, chocolate, and herbs like jasmine. It’s plenty fruity, but it doesn’t have the super-fruit forward nature of other Mendoza Malbec. The palate is full of rich, smooth blackberry and plum with a nice graphite and mineral backing. Tannins are well balanced. I thought it was a very drinkable, if slightly muscular, red, and a very solid value at $12.

As for the Grande Reserve, where its cousin was full of fruity brightness, the Grande Reserve shows some sexy restraint. The nose is deeper, richer. Blackberries and cocoa, as well as a little bit of herb. The first word on my notes is “silky.” I’ve sampled a fair amount of Malbec over the years, and this is one of the smoothest. Rich, opulent mouthfeel that eases on into a wonderfully balanced raspberry covered-chocolate and soft tannin finish.  It’s just a gorgeous wine, especially for $20.

I asked the pair what they would recommend, mealwise, to accompany their wines. Anne suggested, “Definitely red meats, red sauces, Indian and spicy Asian food such as Thai. The fact that Malbec tends to have sweet tannins cools down the spiciness of the food.”

We went the red meat route and tried them alongside a London broil that I’d marinated. It was my first attempt tenderizing meat with a kiwifruit. I was surprised at how well it worked, although I think I’ll still stick to my “salt and sit” technique in the future. (If you want to try, take half a peeled kiwi, mash it up, and smear it all over the steak. There’s an enzyme in kiwi that breaks down protein. Rinse it off in 30-45 minutes. Don’t marinate too long, lest you end up with pudding…)

Both of them, as expected, went well with the grilled meat. There wasn’t a great deal of difference between the two, pairingwise, so if you’re buying a bottle for dinner, I would suggest going with the less expensive of the two. With some chocolate, though, or to just drink on its own – oy, the Grande Reserve was quite choice.

I like asking winemakers what they drink when they’re not drinking their own stuff. “We love Pinot Noir from California, Oregon and Burgundy,” said Labid, “and we also enjoy Chablis, White Burgundy, Chateauneuf-Du-Pape red and white, and wines from the Sonoma and Napa regions.” (I liked this response, since if you asked me to list my own current favorites – they basically rattled off my choices.)

I’m very curious to see whether these cool climate wines will catch on. Some Malbec fans have strong opinions about what an Argentine Malbec is “supposed to” taste like. Exploring these and other Tupungato creations will certainly be on my list moving forward. 

Tuesday, August 02, 2016

Naked Vine One-Hitter: Purple Heart Wines

August 7th is national Purple Heart Day, a day to pay respect to those who were wounded or killed in the cause of protecting and defending our nation in the US Armed Forces. The Mondavi family (whose patriarch, Peter, is a veteran of WWII) and winemaker Ray Coursen, a Vietnam Veteran, collaborated on the Purple Heart 2013 Red Wine.

The wine retails for around $20. Purple Heart Wines will make a generous annual donation (up to $50k per year) to the Purple Heart Foundation, an organization set up to help provide for the unmet needs of military men, women, and families. They focus on PTSD recovery, cancer treatment, sexual trauma, traumatic brain injury treatment, and other such services.

The wine is a blend made up primarily of Merlot and Cabernet Sauvignon, sourced from the Napa Valley. Its flavor profile lends itself to grilling season. Fruit-forward and firm, the nose is full of raspberry tart and plums. The body is medium-to-full, with big plummy flavors that slide towards licorice on the palate. The fruit’s pretty overwhelming at first pour, but as that calms down, the tannins start to emerge, yielding a long, somewhat smoky finish.

We tried this with a London broil alongside a grilled watermelon salad. (No, I’m not kidding – it was really good! Balsamic glaze is just the best.)  I thought it was a very solid pairing, and I think you’ll like it with most flame-kissed meals.

(Stop reading here if you don’t want to get semi-political.)

On a personal note, if you have veterans – especially ones who may have earned this particular medal -- in your circles of friends and acquaintances, thanks, thoughts and prayers are nice – but ask them how they’re doing and how you can help. Maybe it’s just hanging out. Maybe you offer a ride to the VA. Perhaps you offer to let them tell you a story or two. In most cases, they’ve seen things that you haven’t, and they know things you don’t. Listen.

We have a long way to go in this country regarding the way that we treat our veterans. I’ll just ask you to do your part to keep this from ever happening again:

This image still galls me.
We are America. We must do better. We are better.

Friday, July 29, 2016


Montepulciano, one of my favorite wine double-entendres.

“Montepulciano” is a wine term that gets tied up in Italian wine naming conventions and can be somewhat confusing. To avoid getting addled, you need to distinguish between the Montepulciano grape and the Montepulciano region. I recently had the chance to try one of each for comparison's sake.

The Montepulciano grape is largely cultivated in the province of Abruzzi. Abruzzi is on the east coast of Italy – on the other side the country from Tuscany, which is where you’ll find the Montepulciano region. Wines from Abruzzi are usually made from at least 85% of the Montepulciano varietal and are aged for a minimum of five months. Predictably, these wines are labeled "Montepulciano d'Abruzzo" ("The Montepulciano of Abruzzi").

Here at the ranch, Montepulciano d’Abruzzo is one of our house wines. Simple, fruity, medium-bodied and straightforward, a glass of Montepulciano d’Abruzzo is like watching an old episode of Seinfeld. I know exactly what to expect, I can enjoy it without paying too much attention, and I don’t have to search hard to find an episode. The fact that it’s around $10-12 for a 1.5 liter bottle doesn’t hurt, either (or a box for around $18). These wines tend to be relatively inexpensive. I’ve seen bottles of Montepulciano for as little as $5 in my local stores.

There are higher-end versions, such as the Marina Cvetic 2011 Montepulciano d’Abruzzo DOC San Martino. Marina Cvetic married winemaker Gianni Masciarelli in 1987, and Gianni dedicated his top-line wine to her. She has run the Masciarelli production operation since 2008. This more “grown up” version was evident from the moment we poured it. The color was much inkier than what I was used to, and the nose of this 100% Montepulciano is full of plums and strawberries. The body is considerable, with dark fruits wrapped up in vanilla and a solid tannic backbone that becomes very pleasant after the wine gets some air. (I’m not used to decanting my Montepulciano!) The finish is evenly tannic with some nice coffee flavors. With a strip steak topped with mushrooms, just outstanding. Also lovely next to evening chocolate. For $20-25, I thought this certainly worth that price.

The Montepulciano region is just to the northwest of Chianti in Tuscany. Most wines made in the Montepulciano, just like those made in Chianti, are blends made from around 70% Sangiovese. The best wines from the Montepulciano region are designated "Vino Nobile di Montepulciano” (“The Noble Wine of Montepulciano”). They are aged for a minimum of 24 months, 18 of which must be spent in oak, before being released. Like most Sangiovese-based wine, Vino Nobile de Montepulciano is high in acidity, which allows it to go well alongside meats and big sauces. They’re known for having much more aging potential than many Tuscan wines. They’re also more expensive – you won’t run into many of these for less than $25, so they fall into the “nice dinner” wines category for me.

Our example from here, the Avignonesi 2013 Vino Nobile di Montepulciano, is somewhat unusual for this type of wine. Going against tradition, the winemaker, Virginie Saverys, made her wine out of 100% Sangiovese rather than doing a blend. Few other wines in Tuscany are single varietal – the best known of which is Brunello di Montalcino.

With the Avignonesi. I prepared chicken thighs braised in an herbed porcini mushroom and tomato sauce, served with a side of gnocchi. Before I plated it up, we tried the wine on its own. I was pleasantly surprised. I don’t generally prefer Italian wine on its own. Something about the minerality just makes my palate crave it with food. This wine, however, had no issues with flying solo.

I found some strong and lush cherry and dark fruit flavors riding alongside some tannins that gave the flavor some great depth. I don’t run into many wines with that level of fruit intensity that don’t taste “thick.” The mouthfeel was ample, but not too full. Lovely aromas, and a silky, smoky lasting finish. It’s just a pretty wine.

It shined with the meal, as well. There was enough acidity to cut through what evolved into a very rich sauce, but enough strength of flavor not to be overwhelmed. I couldn’t have imagined a much better pairing than this one became. We sat out on the patio on a perfect temperature of a Sunday evening, laughing, eating slowly, and going through the bottle over the course of…well, I don’t know how long. When a wine lends itself to losing one’s sense of time, I have to recommend it.

If you’re into Brunello di Montalcino, you should check out the Avignonesi. I think you’ll find it compares favorably. Since, generally, you can’t find Brunello for less than $50 a pop, and the Avignonesi clocks in at around $30, I think you’ll be pleased.

Sunday, July 24, 2016

The Naked Vine Tour de...Wait, What? (Savoie)

I promised you sporadic coverage. You can't say I don't deliver on my promises.

When we left our pelotonic friends last, they were biking through the Rhone Valley before making the climb into the French and Swiss Alps. Before I started writing this little series, I was under the impression that the Tour de France was actually...well...a tour of France. Instead, if you check the map... can see that, after the riders finish tooling around over in the Alps, they catch a flight to Chantilly, from where they make the last ride into Paris.

I've had a busy few days, so I thought, "Hey, I should check in on where the riders are..." Of course, I discovered that today is the final stage of Le Tour, and as I'm writing this, the riders are in Stage 21, closing in on the Champs-Elysses.

That will not, however, stop me from giving you my last bottle of the Tour -- a white from the Savoie region, which is -- as you can see -- over on the eastern side of France, bordering both Switzerland and Italy. It's best known as a cheese-producing region, cows grazing in the valleys among the steep hillsides to which the vineyards often cling.

Savoie's mountainous, cool terrain supports largely indigenous grapes used primarily to make white wines. In the cool climate, most red grapes don't do well. The most widely grown grape is Jacquere, which produces a fairly crisp, citrusy, minerally white. The best known red grape is Mondeuse, but it can be difficult to find outside france.

As a representative from here, I chose the Domaine Labbé 2014 Abymes Vin de Savoie. (Abymes is the town nearest where the grapes are sourced.) I found green apple and lemon aromas on the nose. Those flavors are mirrored on the palate with a richer body than I expected. I expected a lighter, crisper drink, but the mouthfeel is somewhat honeyish for such an acidic, light wine. It finishes slightly tart, with a bit of lemon crème. Clocking in at 11% ABV with that sort of food-friendly flavor, this would be lovely for a picnic or other brunch-ish occasion.

Finally, we bid adieu to the newest Naked Vine sports hero Tejay Van Garderen, the highest-ranking U.S. finisher this year. Our hero has had a rough couple of years at the Tour. Last year, he was in third place going into Stage 17, when he had to abandon the ride because of illness. This year, he was in a solid position going into the Alps, but ran into some unfortunately difficulties and slipped down the roster. He finished the Tour 29th out of 174 finishers.

And with that, au revoir de Paris...

Thanks, Tejay. Good luck next year!

Monday, July 18, 2016

Naked Vine Sporadic Tour de France Coverage -- Rhone Valley

Hello there, cycling fans. For a quick recap of the actual race, Chris Froome of the soon-to-be-dis-United Kingdom still holds the yellow jersey after 15 stages, leading the pack by 1'47", even after crashing, wrecking his bike, and running up Mount Ventoux. (How a person can run in cycling shoes is beyond me.)
Uh oh.

Our new friend Tejay Van Garderen, native of Tacoma, Washington, has acquitted himself well thus far, currently standing in 8th place, 4'47" behind Froome as the riders prepare to enter the Swiss Alps.

Over the last couple of days, the riders have been in and around the Rhone Valley, one of the more productive -- yet strangely overlooked by many American wine consumers -- wine regions in France.

The Rhone Valley is roughly divided into north and south sections by the River Drôme. The climate in the northern Rhone tends to be cooler than the south. The only red grape grown in the northern Rhone is Syrah. Viognier, Marsanne, and Roussane are grown for whites.

In the South, Grenache is the major grape of choice, although Syrah, Mourvèdre, Carignan and Cinsault are often included in red blends. Whites include Ugni blanc, Roussanne, Bourboulenc, Picpoul, Clairette and, in recent years, Viognier.

The Rhone's most famous wine is Chateauneuf-de-Pape, grown in the south. The north produces such yummies as Côte Rotie, Croze-Hermitage, Hermitage, and Condrieu -- the last being an expensive white made from Viognier.

However, for our purposes, most of the wines you'll see from the region will be labeled Cotes-du-Rhone. "Côtes-du-Rhone" (pronounced "Coat dew roan" as if you have a stuffy nose) can be made from grapes grown anywhere within the region. Reds labeled as such must contain at least 40% Grenache. The remaining 60% will be largely a blend of the red grapes we've already mentioned. The south produces 80% of the wine, so most of the wines you see labeled "Côtes-du-Rhone" are going to be from the south and will be dominated by Grenache, sometimes as a single varietal.

Côtes-du-Rhone cranks out a lot of very good, very approachable red wine. These wines tend to be drunk young -- within five years of bottling. These reds tend to be medium bodied with lots of cherry and dark berry flavors. The "old world funk"/earthiness classic to many French reds is usually there to some extent -- but not as powerfully as in many Bordeaux. Even so, these are usually great wines to go with anything earthy or sausagey -- or even just to uncork and pass around. The main issue with CdR is that the quality can be all over the place. Because there's such a broad variety in the various blends, finding a consistent CdR can be a challenge. The flipside is that, with a little research, one can find a CdR that fits almost any palate. Ask your friendly wine store person for assistance.

I had the chance to try the Les Dauphins 2013 Cotes du Rhone Reserve Rouge recently. It's a straightforward, bold red with a nose of cherries and other dark fruit. I got a burst of fruit at the first sip, but that yields fairly quickly to a mild flavor of tannin and graphite. Finish is softly tannic, although the tannin builds after a few sips. I thought it was a pretty solid red wine for almost all occasions. You could put this up against barbecue chicken or pork or grilled steak and veggies and do quite well. It retails for about $13, which is around the price you'll find many CdR.

I mentioned that there are also whites in this region, although they are fewer and farther between. 80% of the blends of those wines have to be made up of the above varietals. These wines tend to be medium bodied and food friendly, especially as an aperitif with appetizers. One example is the M.Chapoutier 2014 “Belleruche” Cotes-du-Rhone Blanc, a blend of Grenache Blanc, Clairette and Bourboulenc, which started me out with a nose of pineapple and a little wood. The body was medium weight with a nice creaminess. I thought it was interestingly complex for the price point ($12-13) with tropical fruit flavors backed with a gentle acidity. Its finish is fairly long and somewhat tart. An interesting change of pace for your table.

As I mentioned, the Tour turns northward into the French and Swiss alps next. We'll keep you posted as best we can...

Wednesday, July 13, 2016

Naked Vine One-Hitter: Le Tour Scoots South

Yes, there's a point to this. Read on.
As we continue our occasional Tour de France coverage here at The Naked Vine, the peloton now swings across southern France. I was hoping that the route would go farther south, down into Provence, so that I could write oodles of joyous words about the beauty that is Provence rosé.

A quick aside -- long-timers around here know my rosé fetish. I've been pimping pink wine from the second-ever column I posted here. When we made our foray to St. Martin recently, rosé was the typical accompaniment with most of my meals. I think a good dry rosé is about as close to a perfect summertime wine as exists on the planet, and I've continued to sing its praises.

Fast forward ten years from that column. I walk into Big Wine Store (and most other smaller ones) now to find end caps full of quality dry rosé. Dry rosé has even found its way into the glasses of the hipster community, and I'm in full support. The mo' pink, the mo' better. But do kindly remind them that we've been waiting for them here in rosé land for a long time.

In any case, back to the Tour -- as I said, I was hoping that the course would run down into Provence, but alas -- the route stays north of the coast, again skirting the prime growing region for those rosé. However, closer inspection showed that the Tour *is* passing through the Ventoux region, home of Famille Perrin winery, producers of one of the house standards around these parts: La Vielle Ferme.

If you're a fan of inexpensive French wine, chances are that you've come across a bottle of LVF at some point. Instantly recognizable from the image of the big rooster on the label, LVF wines usually run between $8-10. They make a refreshing white from Bourboulenc (an indigenous grape), Grenache Blanc, Ugni Blanc, and Vermentino; as well as a juicy red from Carignane, Cinsault, Grenache, and Syrah.

But it's the LVF Rose that really tickles my fancy. The La Vielle Ferme 2015 Rosé is built on the same "grape platform" as the LVF red, minus the Carignane. It's not as delicate and clean as the more expensive versions that you'll find in Provence, but for my needs -- when I want to pull something cold from the fridge, pour a hefty glass, and unwind after being out in the summer warmth all day long Nice light fruits, a goodly shot of acidity, and a nice crisp finish -- it's just about perfect for a "I don't wanna think, and this is perfectly tasty" wine.

The other aspect of the LVF Rosé that I really like is that it's one of the few French rosé out there in my area that comes in a 1.5 liter bottle. If I don't get the big bottles, I tend to power through it a little too quickly.

In any case, if you stop by the HQ, you'll probably find a bottle of this in the fridge. I'd invite you to help yourself, but that might entail breaking and entering.

The Tour's next area will be the Rhone Valley, where we'll definitely find some wine...

Wednesday, July 06, 2016

Naked Vine One-Hitter: Following the Tour de France, sorta.

Hey everyone! It's Tour de France time! You know, the one time a year where Americans pay cursory attention to the sport of cycling. (The leading American as of the writing of this article was household name Tejay Van Garderen, currently in 15th.)

I thought it might be fun to write a series of articles tracking the wines of the various regions through which the riders were speeding. (The idea came from Sean at Colangelo.)

In years past, I remember the Tour basically zooming through all of the various regions of France, but this year is different. This year, they started with several runs around Utah Beach, the site of the Allied D-Day invasion. From there, the peloton will make its way south through Saumur and Limoges before heading towards the south of France.

Unfortunately, the route skirts most of the major wine producing regions, like Bordeaux and Burgundy -- and the subregions therein. Northwest France isn't really known for producing much wine, and I don't really have the cash to casually write about Armagnac, which is where the riders are headed today.

However, after that -- the Tour heads into Gascony, which is a region where wine is inexpensive and plentiful. Gascony, located in southwest France, near the Spanish border, along the foothills of the Pyrenees. The best known wines from that region are white wines. These wines tend to be crisp, acidic, and are made from local grapes like Ugni Blanc and Colombard. The average price of a white from Gascony (which you'll find as "Cotes de Gascogne") are usually around a ten spot.

This description fits the Domaine du Tariquet 2015 “Classic” Cotes de Gascogne to a tee. Tariquet distills Armagnac, a brandy somewhat similar to Cognac, from the aforementioned Ugni Blanc and Colombard. They produce this white wine from the same grapes. I found a load of herbs and green apple on the nose. It was mouthpuckeringly tart initially, but that acidity smooths out a bit as the wine got a little air. The result were plenty of lemony citrus and green apple flavors, which led into a crisp, quick finish. A decent summertime quaffer for $10. Would be nice as an aperitif or with some light fish dishes.

As the Tour moves along, I'll post a few additional regional bottles. Stay tuned...

Friday, July 01, 2016

The Zonin Dress Code and a Farewell to Friends

Bubbles and bittersweet don’t go together often around these parts.

The mood’s a little downbeat around Vine HQ, even after receiving samples of a new slate of Prosecco offerings from Zonin – dubbed their “Dress Code” collection. There were three bottles – the “Black,” “White,” and “Grey” – as you can see here:

Three bottles of Prosecco are usually a bit much for the Sweet Partner in Crime and I to pop all at once, so we went with our usual strategy. We called our trustworthy alleymates, Christine the Pie Queen and Dinner Club Jeff, to help us polish off sample this bit of Italian effervescence.

Only problem – this is likely the last Naked Vine tasting with our nearest and dearest for quite some time. Jeff has a fabulous opportunity with a new job in Seattle. Being the nature nuts that the two of them are, the foot of Mount Rainier isn’t a bad place to call home. Alas, for us, that means that the decade-old Tennessee Alley Drinking Club is going on hiatus.

Since we all became acquainted through The Hanging Chad and Jeff and Christine ended up buying a house almost directly behind us – we’ve had lots of wonderful times and some on the other end of the spectrum (like the one that involved a two-hour hot tub session and a passed-around bottle of bourbon…).

In any case, the wines we had them over to try were a new twist on Prosecco. I knew of the winery Zonin largely through their production of inexpensive Montepulciano d’Abruzzo. I didn’t know that they were also producing bubbly, but they are, under the label “Zonin1821.”

The twist with these particular Prosecco is that they aren’t made entirely with Glera grapes. Most Prosecco are 100% Glera. The regulations for Prosecco DOC (and if you’ve forgotten about those classifications, you can look here) allow up to 15% of other grape varietals in a blend. I think you can see where this is going. All three versions retail for about $15-17.

With bottles in the fridge and antipasti on the table at Vine HQ, C&J crossed the alley to pop some corks with us one more time before departing for the Pacific time zone.

We started with The White – which is 91% Glera and 9% Pinot Bianco. Pinot Bianco is Pinot Grigio’s slightly paler cousin, known best for producing full-bodied whites in France’s Alsace region. In Italy, Pinot Bianco returns a fruitier, somewhat sweeter product, and the result came through in this blend. This was the sweetest of the three bottles, featuring flavors of apricot and tropical fruit. On its own, not the best – but it was the best of the three for brunchtime mimosas the next day.

Next came The Grey – a blend of 87% Glera and 13% of that Italian classic, Pinot Grigio. The result was a drier, more minerally wine, with some green apple and floral notes. There was an odd finish to this one – a slight astringency that cut the finish off very abruptly. Just to sip on, I thought it was a little better than the White, since I tend to prefer drier bubblies. One interesting note – this was an excellent pairing with some very difficult foods. We had olives and marinated artichoke hearts on our little appetizer board, and in both cases, the astringency of the finish faded when combined with the flavors of those foods, resulting in a quite pleasant pairing. Perhaps something to file away for future reference.

Finally, we made our way to The Black – a blend of 90% Glera and 10% Pinot Noir. No, this isn’t a rosé by any stretch of the imagination. Juice from all grapes, whether red grapes or white, is largely clear. The color comes from contact of the juice and the grape skins. Thus, this wine ends up looking like a regular white wine, despite the name. (By now, you likely noticed that “bianco,” “grigio” and “noir” translate from Italian as “white,” “grey,” and “black” respectively…)

The Black was, by unanimous acclimation, the best of the three. The pinot noir gave the wine some more structure and complexity – bringing out notes of roses, green apple, and lavender. This was the first of the three bottles to disappear completely. This would be a solid food wine for almost any kind of light entrée – especially a simple presentation of fish or sushi.

The tasting done, we merrily headed off into the night for dinner at the York Street Café, site of one of the first meals we’d shared. More laughter, food, and wine followed – typical for most times the four of us ended up in the same room. Through the years, Jeff and Christine been some of the best, most supportive “couple friends” that the SPinC and I could have dreamed of.

We wish them all the luck and love in the world in their new adventures.

We miss them already.