Run for the Rosés, Part 1 – Italian Pink

Many countries’ lesser-known indigenous red grapes produce highly tannic wines that are sometimes a little difficult to approach. Faced with such a situation, some producers are augmenting the production of these wines in a way that makes me quite happy: rather than just making straight reds, they’re turning some of these harvests into rosé. 

Dolemite says, "Try the rosé, sucka." (Bear with me...)

As anyone who’s been around these parts for a while knows, I’m a rosé junky. Love the stuff. That’s why I’m happy to see more places producing it. I would say that 90% of rosé I try comes from one of three places: the US, France, and Spain. Italy is not usually somewhere I consider for rosé. This year, two of Italy’s larger wine producers decided to make 2015 the year that they’d release their first pink offerings, and I was lucky enough to score a couple of samples. (Thanks to Amanda from Wagstaff for the hookup!)

Other wines from these two producers, Mezzacorona and Stemmari, are fairly ubiquitous in wine shops across the country. Both make solid table wines, and I’ve written about some of these in the past.

These wineries are located at different ends of Italy. Mezzacorona produces wines from near Trento in the mountains of northern Italy, while Stemmari’s wines are sourced from grapes grown in southern Sicily. To give some perspective, the Mezzacorona vineyards are on a line, latitude-wise, with Mt. Rainier in Washington. Stemmari’s are approximately at the same latitude as Napa. This difference in geography, not to mention terroir and grape type, means that these wines should display significantly different characteristics.

Both these wines are produced in the traditional rosé method. Once the grapes are picked, they undergo a process called “cold maceration.” Cold maceration means that the grapes are lightly pressed and the juice is left in contact with the skins and stems for a brief period of time – 6-8 hours for the Mezzacorona and 12 hours for the Stemmari. This allows the juice to pick up some of the color and flavor from the skins.

The juice is then fermented at somewhere in the neighborhood of 62 degrees. Cooler fermentations typically produce a more delicate wine. The fermented wine is left “on the lees” for 4-5 months to add body. “Lees” is WineSpeak for “dead yeast left in the bottom of the fermenter.” Leaving wines on the lees tends to add a fuller, creamier texture. Unlike the reds made from these tannic grapes, rosés are made to be drunk young, so no need to think about laying down bottles for any reason other than to pull them out in the summertime. But since Spring is such a delightful time for rosé, these two needed a try…

 

Mezzacorona 2014 Rosé – I can’t help but chuckle when I see that wines are produced in “the Dolomites,” since that always makes me think of the Rudy Ray Moore and the Blaxploitation film of similar moniker. (I was also pleasantly amused when MS Word autocapitalized "Blaxploitation." It is a genre...) 

This pleasant enough quaffer is made from the Lagrein grape, which usually makes tannic, chewy reds reminiscent of Syrah. Made into rosé, however, this version of Lagrein makes a pink that’s light, fruity, and straightforward. I found plenty of strawberries on the palate along with a fairly mild citrus. The finish isn’t overly acidic for rosé. I hoped for a little more zip, but I thought it was good, middle of the road wine. The Sweet Partner in Crime deemed it “fine.” In other words, it’s a decent enough, uncomplicated wine that would pair up with a broad variety of foods that aren’t overly rich or fatty. Pork, light pastas, or grilled salmon would be decent matches. There are certainly rosés we liked a bit more, but for $10, it’s worth a go.

 

Stemmari 2014 Rosé – From the southern coast of Sicily comes this slightly darker, somewhat richer offering. The Stemmari is made from 100% Nero d’Avola grapes. Nero d’Avola, as you might remember, is the best-known and most widely-planted grape varietal in Sicily. Nero d’Avola also produces powerful wines that should be cellared for at least a couple of years to let the tannins calm down. There’s no need for this kind of patience with rosé, however, and the resulting product is quite reflective of the grape that gave it birth. Of the two wines, this one has a little more muscle. Beyond the color, this rosé has more pronounced fruit flavors, although the strawberry backbone is common between the two. There’s more mineral notes here, which is no surprise considering the volcanic soil of Sicily. The finish also has a little bit of a tannic characteristic that I found somewhat more interesting. I would think this would go just fine with some richer dishes. We had this with a roast pork tenderloin with a glaze I made out of some huckleberry jam that came from our local CSA. It stood up to the flavors well enough. For a change of pace from reds with a bigger-flavored springtime meal, it’s another workable $10 option.

Neither of these wines are anything that I’d consider complex, but the whole point of rosé is enjoyment, not deep thought. I would give the slight edge to the Stemmari in this side-by-side, but my palate’s still somewhat in winter mode. I might flip-flop if you asked me in a few months. Regardless, nice to see better quality-yet-still inexpensive rosé emerging from Italy as an alternative to the aforementioned rosé triumvirate.

Are You Ready for Party Season?

(Reposting, since I've had a few requests for this...)

The stretch from Hallow’een to New Year’s is often the most heavily-packed time on most folks’ social calendars. Makes good sense, after all – weather’s getting colder, so we tend to gather in groups with libations in hand to have the occasional dinner party, watch some sports, gather with friends, and basically try to stockpile enough levity to get us through the bone-chilling days before Spring comes back ‘round again.

Whether you’re hanging with your friendly neighborhood ghosts and goblins, gathering for a girls’ or boys’ night, or just finding some excuse to be social, you’re going to need some wine, now aren’t you? Based on some recent samplings I’ve been lucky enough to get my hands on, here are a few suggestions for different occasions you might consider without breaking the bank.

Brunch

Still one of my favorite meals of the day, no matter what time of year. For brunch, you want something low-alcohol and festive. By festive, I often mean “something with bubbles.” One of my favorite brunch wines is Prosecco, and I’d put forward the Zardetto Prosecco Brut Treviso DOC as a possibility. Flavorwise, it’s on the peachy end of the scale along with a nice mineral character. Good firmness on the bubbles, too. I think it would be really in its element either as an aperitif, alongside a fruit and creamy cheese plate, or with a cheesy omelette or some crepes. Also, if you're a fan of bubbly as part of a cocktail -- like the prosecco and pear nectar drink above, it would work nicely as a mixer.  At $14, it’s a very solid value.

Tailgating

Your tailgate may not be this fancy.

“Deer lawrd, man – you’re bringing wine to a tailgate?” Well, hells yes, I am. Admittedly, you’re going to be just fine with an armload of beer and bratwurst – but meat or meat substitute cooked over flame goes splendidly with wine as well. Take a tip from the Germans here – they know their sausages. Besides beer, Germans drink a ton of Riesling. The Clean Slate 2012 Riesling Mosel for $11 is a workable choice here. There is some sweetness here, but it’s in the “honeycrisp apple” family of sweet. Alongside the orange and peach flavors in the body is a fair amount of the mineral implied by its moniker. It finishes sweet and a tad acidic. Overall, it’s really pleasant to drink and I think you could have this with any kind of sausage.

But perhaps you don’t want to be seen drinking white wine before a football game. I get that. No worries, comrades. Grab a bottle of Ravenswood 2011 "Napa Valley" Old Vine Zinfandel before heading to the parking lot. Ravenswood is a consistently solid bottle of red that goes very, very well with anything that you can drag or let stand across or near flame – whether it’s steak, burgers, chicken, pulled pork, barbecue ribs – even a quinoa burger if you’re into that sort of thing. Plunk your $14 down and enjoy.

The Casual Shindig

Here are a few wines that you really don’t have to think about very much. They’re simple, uncomplicated, and you can pour away without worrying about anything other than which bedroom your left your coat in when you got there.

For a flexible white, consider the Pepi 2012 Sauvignon Blanc for a tenner. Many inexpensive sauvignon blancs end up being tightly wound acid balls that work better at poolside than in the middle of autumn. This bottle is much balanced and friendly than the price point implies. The nose is full of pineapple and green apple. The body is fruity and citrusy, and the acidity never really becomes sharp – even through the lingering, citrusy finish. An easy pop and pour.

On the red side of things, especially if there’s some food around, I’d really recommend the Tin Roof Cellars 2010 Merlot – also at $10. The 2010 is a clear upgrade over the 2009 I reviewed last year, which wasn’t a favorite. This year, they’ve added a little bit of cabernet sauvignon and syrah to the petit sirah already in the blend. The result was a merlot with considerable structure and a much better fruit/tannin balance than last year’s. You get some coffee and cocoa flavors to take the edge off what had been a fairly “fruit-bomby” offering. From a value perspective, it’s drinking well beyond its price point and it’s flexible enough to serve as a worthy table red for almost any occasion.

If you’re hosting a party and you need some wine to have around in bulk, I’d suggest the Naked Grape Pinot Noir in a 3-liter box. Let’s be honest – this is a $20 box of wine.  It’s not going to blow you away as a pinot noir if you’re looking for smoky and sultry. It’s very straightforward and fruity – largely cherry and blueberry – but those fruit flavors linger all the way through a fairly soft finish with just a smidge of tannin. It’s a $20 box pinot noir – I wasn’t expecting big, complex flavors when I tried it. What I didn’t expect was just how dangerously drinkable it turned out to be. It’s relatively low in alcohol and easy to knock back – easy enough, in fact, that we powered through the box more quickly than almost any box wine I can remember. If you want to class it up a bit, pour it out into a carafe. Your peeps will think you’ve got style.

Dinner Party

Assuming most of you aren’t doing the whole white tablecloth thing, here are a couple of laid-back choices for your dining pleasure. For a red, I would consider at $13, the Poggio Anima 2010 “Asmodeus” Nero d’Avola. Asmodeus, as any owner of the original Dungeons and Dragons “Monster Manual” can tell you, is the Lord of Hell. I doubt the terroir for this wine is quite that intense, largely because brimstone is not part of this wine’s big, bright flavor. My first impression was of blackberry and cherry on the nose and palate. It’s medium-to-full body, but it’s not as “sticky” as a similarly bouqueted Shiraz would be. Instead, the finish leans out, turning first to a nice tannic dryness and then into that mineral character that many Italian wines possess.

In the pink wine family, look for Mulderbosch 2012 Cabernet Sauvignon Rosé. My initial note for this wine says, “a rosé of substance.” I found plenty of strawberry and peach on both the nose and palate along with just a hint of sweetness. It finishes long and fruity, with just a little acidic zing. I thought it made a quality table rosé. With a hearty and flavorful meal (think Thanksgiving dinner), this $11 number from the coastal growing region of South Africa was very pleasant to have in the glass alongside.

Finally, for a white, I give you the $10 Le Drunk Rooster 2011 Chardonnay. After a little air opens it up, a considerable amount of oak starts to emerge. I’m not talking Meridian Chardonnay levels of oak – more like a Mersault from Burgundy (although it’s not creamy like a Mersault). It’s got a tart, green apple character on the palate with a lasting oaky finish. Even as light-bodied as it is, the backbone allows it to stand up firmly next to some pretty hearty fare. We poured this with a chicken and Italian sausage casserole, and it worked just fine.

Party on, folks!

The Alphabet Soup Project – “N” is for “Nero”

Quick quiz…I say “Nero.” What pops into your head?

This guy?

Teenage Wasteland!

No? Maybe this guy?

"Ambassador Spock will be joining us at our next wine tasting."

Nah…how about these guys?

Now we're talking!

Nero d’Avola is an Italian, predominantly Sicilian, wine grape varietal. As you probably remember, most Italian wines draw their name from the location they’re grown rather than the actual varietal of grape. Nero d’Avola eliminates the confusion by including both.

In Italian, “Nero d’Avola” translates as “The Black [Grape] of Avola” – Avola being a town at the southernmost tip of the island of Sicily near the city of Syracuse. The varietal is less commonly referred to as “Calabrese” – meaning “from Calabria,” the Italian province straight across the Strait of Messina from Sicily.

Nero d’Avola grows best in hot, Mediterranean climates. Sicily certainly falls squarely into that definition. Grapes that thrive in warm weather regions tend to yield wines with stronger fruit flavors and higher alcohol content, and Nero is no exception. Its dark, tannic juice has long been sought as a blending grape to add depth and color to lighter wines on the mainland. Advances in winemaking technology have improved the single-varietal quality of these grapes markedly. Sicily is currently third in overall production among Italian wine regions – with the skyrocketing production of Nero d’Avola bolstering the already ample yield of the ubiquitous Marsala grape.

What’s Nero d’Avola taste like? The best parallel I’ve seen out there is Australian Shiraz, although I find The Black to be more tannic in general. As with most high-tannin wines, it usually takes a couple of years for the tannins to calm down and mesh with the other flavors, so if you’re looking on the shelves of your local quality wine retailer, don’t be afraid to pick up a bottle with a couple of years under its cork. Nero d’Avola also has aging potential, so if you find one you enjoy, don’t be afraid to stash a few bottles in the ol’ cellar for a little while. Nero d’Avola is also sometimes made into rosé for summertime consumption.

Sicily, being the volcanic island that it is, has great variation in altitude and soil content with microclimatic regions all over the place. The flavor you’ll find can vary markedly from producer to producer and from town to town. You may need to do a little independent research to see where your palate’s sweet spot is with this grape. (But that’s half the fun, ain’t it?) It also can pair with a broad variety of foods – from earthy vegetables like roasted eggplant to tomato-based pasta sauces to lamb and chili. Here are a few that I enjoyed recently:

Poggio Anima 2010 “Asmodeus” Nero d’Avola – Asmodeus, as any owner of the original Dungeons and Dragons “Monster Manual” can tell you, is the Lord of Hell. I doubt the terroir for this wine is quite that intense, largely because brimstone is not part of this wine’s big, bright flavor. My first impression was of blackberry and cherry on the nose and palate. It’s medium-to-full body, but it’s not as “sticky” as a similarly bouqueted Shiraz would be. Instead, the finish leans out, turning first to a nice tannic dryness and then into that mineral character that many Italian wines possess. I thought it was a wonderful food wine. We had this next to a penne pasta with wilted arugula, diced tomatoes, and goat cheese, topped with roasted pork (recipe here). There are worse wines to accompany any number of sins, gluttony being the top of the list. $13.

Regaleali 2008 Nero d’Avola – Under other, more blindfolded circumstances, I might have mistaken this for a Bordeaux. (And certainly more like a Bordeaux than a Rhone, which I’d have expected with a “Shiraz-like” grape.)  My first thought on spinning this was, “Wow. Funky!” There’s a real whiff of earthiness on the nose, coupled with a nice bit of cherry. I’d call it medium bodied, in line with the aforementioned French doppelganger. Good dark fruit on the tongue with some gradually-building tannins. There’s plenty of  length on the tannic, chalky finish. We had this with leftovers from the same meal we made for the Asmodeus. The flavors of the pasta had blended into a nice yumminess, and the extra earthy characteristic in this wine made it an even better complement. Another great, though very different, food wine. $15.

Feudo Arancio “Stemmari” 2010 Nero a’Avola – The least expensive ($8) and most

straightforward wine of this particular sampling. It’s a simple, uncomplicated table wine – and this is not a fault in the slightest. The major flavors are cranberry and cherry, both on the nose and on the palate. The real winning piece of this wine is the balance. As I said, there’s nothing complex here – but the flavor, minerality, and tannin are in real harmony, making this a very pleasant and food-friendly quaff. We had this alongside a rustic bean, barley, and wilted green soup, and I thoroughly enjoyed the pairing. (I also discovered that our going-to-seed lettuces made great soup greens!)

If you’re a fan of sturdy, fruity wines and you’re looking for a changeup this weekend, trundle down to the end of the “Other Italian Wines” section and snag a couple of these. After all, once you go Black…

Fiddling with the Sicilians -- Nero d'Avola

Nero fiddling as Rome burns.

This image has become the allegorical embodiment of decadence and detachment. This, of course, is an apocryphal story. Nero reigned over the Roman empire from 54 to 68 A.D. The violin wasn't invented until the 1500's. This doesn't rule out the possibility of him doing some mean lyre plucking while the conflagration raged about him -- but fiddling…not so much.

What's a Roman Emperor doing this wine column? While I'm all about decadence (and not so much about pyromania), the only direct link between our day's topic and ancient Rome is the name. Nero, translated from Italian, means "black." Nero d'Avola is a grape varietal. Thus, the name is "The black [grape] of Avola." Avola is a small town in southern Sicily where this varietal was largely first cultivated.

Sicilian wine has had a bad rap for quite some time. The best known grape from Sicily is Marsala. Yes, the Marsala that you've probably seen used as cooking wine, right there next to the sherry on a well-stocked kitchen's shelf. Sicily made a few other wines largely for local consumption, but nothing really stood out on the world market.

However, like many other places in the world, as cultivation and wine making techniques continued to improve, and Sicily discovered that they could crank out some decent product. One of the great benefactors of these improvements was Nero d'Avola.

Nero d'Avola (also known as "Calabrese") was used for a long time as a blending grape, largely used for its inky color to add some heft to some of the other local product. However, cultivated properly, this varietal produces a very solid wine in and of itself. It's now the most cultivated grape in Sicily. Neros are generally big, fruity wines. They're usually very straightforward, and they have enough tannin to age pretty well -- but most are drunk relatively young.

While I don't think it will replace Montepulciano or Barbera on my table on a regular basis any time soon, I've tried a few and was pleasantly surprised:

Dievole "Pinocchio" 2006 Nero d'Avola -- Dievole Winery itself is not in Sicily, but in Chianti. They imported grapes from there and found that they enjoyed the Tuscan soil. My nose won't grow when I tell you that this is very fruity for a wine from Chianti. I'm used to wines from this region having a "chalky" taste. The chalk doesn't bother me when I'm drinking Chianti with food, but I usually won't drink one on its own. This wine is easy enough to drink on its own. It's soft and fruity, with a little bit of a floral nose. The finish is medium length and light. Pork or roast chicken would go well, as would a spicy fish preparation. $9-13.

Arancio 2006 Nero d'Avola -- Feudo Arancio wines are Sicilian in origin. This wine is a decent representation of what the grape has become in its native soil. It's not as fruity as the first one -- considerably earthier, and with a little bit of that Italian chalk. It's still pretty fruity, but has a nice spicy undertone that I liked. It would be a great pairing with almost any hearty Italian food. We had it with chicken tortellini soup and it was fabulous. For the price, you can't beat it. $6-10.

Morgante 2005 Nero d'Avola -- When I was a teenage sci-fi/fantasy geek -- back in the days before I discovered that kissing girls was much more fun than Dungeons & Dragons, I read a series of books by Steven Brust. In this series of books, there was a type of weapon called a "Morganti" that destroyed a person's soul. This similarly-named wine didn't quite have that effect, but it did leave my spirit dampened. Available for $11-18, this was the most expensive of the wines that I bought, and was by far the most disappointing. The nose was nice enough -- lots of fruit. The taste of the wine was unimpressive, however. No pronounced character of much of anything, and a finish that could only be described as flabby. Perhaps I just got a bad bottle, but I'd snag two bottles of the Arancio in its place in a heartbeat.