All About Olive Oil

One nice thing about my little wine adventure is occasionally being asked to do samples of other gastronomically-themed items. Restaurants, decanters, wine chillers – these have all been brought under my umbrella. Today brings a new one – high-end olive oil.

The good folks at Ancient Olive Trees asked me to sample some of their artisanal olive oil. As anyone who’s spent any time poking around my writing knows – the Sweet Partner in Crime and I cook quite a bit, and olive oil is a staple in our kitchen.

Since Rachel Ray softly cooed about EVOO, the use of olive oil in many American kitchens exploded. American consumers go through about 80 million gallons of olive oil per year, only about 2% of which is actually produced in the United States. The U.S. has been steadily increasing domestic production – both among large, factory farmed oils and smaller producers like Ancient Olive Trees, which is headquartered in California.

Olive trees need temperate-to-warm climates to thrive. Olive oil is currently produced in California, Arizona, Texas, Georgia, Florida, Oregon and Hawaii. (I can attest to the Arizona production. When I was in graduate school out there, I discovered that the blooming of olive trees gives me hay fever something awful.) Most oils come from olives harvested and pressed when they’re green.

As you know, there are different classifications of olive oil. Most of the world uses a system based on guidelines set by the International Olive Oil Council (IOOC). The U.S. uses a USDA classification which predates the IOOC. (As American olive oil production grows, there is some movement towards joining the IOOC standards.) Either way, there are three basic varieties of edible oils: extra virgin, virgin, and standard olive oil.

Now, if you’re like me and have the sense of humor of an average 12-year-old, you’ve snickered at the notion of anything being “extra virgin.” The nomenclature doesn’t have anything to do with the quick pressing of the olives or the dating habits of the trees. Instead, the chemical composition, processing, and flavor are what creates the distinction among the various types.

 

Olive trees in Greece

Extra virgin and virgin olive oils are created from the first pressing of the olives, which removes about 90% of the olive juice. These oils can have no further refining or processing after pressing. The backbone of the definition is the amount of oleic acid present in the oil. The less acid, the better. The premium extra-virgin oils have less than .225% oleic acid. The cutoff for extra-virgin in the U.S. is 1%. As the acidity level increases, we move through the various “virgin” categories, until we reach “semi-fine virgin oil.” We rarely see stand-alone oils considered “virgin” in the U.S.

Once the acid level gets above 3.3%, or there are flaws in color, flavor, or aroma which render the oil “unfit for human consumption” – these oils are generally refined with heat, chemicals, and or filtration. The result is a nearly colorless, flavorless oil. They are then generally blended with one of the aforementioned virgin olive oils to impart a little flavor. These are the standard “olive oils” you see for cooking or packing food. There is also “pomace oil” made from paste left over after pressing and refining.

One culinary note: If you’re really into dressing, drizzling, or dipping, the flavors of an extra-virgin oil can be a real enhancement. However, actually cooking with extra-virgin olive oil is really a bit of a waste. While there are some inexpensive extra-virgin oils which might be considered “dual use,” what sets extra-virgin oil apart from regular olive oils is the subtlety of flavor. Heating an extra-virgin olive oil to its smoking point denatures the flavor compounds, rendering it little different from regular olive oil. For the stove, regular olive oil is a superior choice.

This brings us to our Ancient Olive Trees sample. We tried a side-by-side-by-side comparison of the AOT oil alongside a store-brand extra-virgin oil and an extra-virgin oil from Hawkes in Sonoma.

The differences were pretty striking, especially between the two “artisanal” oils and the store-brand stuff. The store brand stuff tasted like…well…oil. There was an olive flavor, but it didn’t have a great deal of complexity. The Ancient Olive Trees oil had a sweeter, lively flavor, with a little bit of an antioxidant zing in the back of the throat. The finish was smooth, somewhat fruity, and tasted a bit of hazelnut. The Hawkes oil was stronger and spicier, with an almost peppery note at the finish. I preferred the Hawkes on its own, followed closely by the AOT.

 

Mmm...Caprese salad...

With food, we had some farm-fresh tomatoes from the farmshare, so with some of our garden basil, we put together a nice Caprese salad for lunch. More specifically, we did a couple of small Capreses. The AOT oil was the winner among the three for a simple preparation like this – as it  had enough zestiness to make the olive oil a distinct player in the flavor, but it didn’t overwhelm the tomatoes, as the Hawkes did a bit.

There is, of course, the question of price. The high end extra virgin oils can be pricey. Ancient Olive Trees sells a 375ml bottle of their olive oil for $25 + $5 shipping, so it’s not really inexpensive. You can get a gallon can of the “dual use” store brand stuff for the same price, which doesn’t have the same breadth and depth of flavor.

If you think of olive oil as more of a condiment – if you’re a compulsive drizzler, dipper, or dresser – then having something around that’s a bit more high-end might be a nice bit of culinary pampering. Most oils of this quality will start at $20-30, so this would be a good option if you’d like to explore the world of oil. If all you’re doing is glugging it in a pan – you have better options.

As an aside, Ancient Olive Trees also does sell established olive trees. You can grow your own – but only if you live in hardiness zones 9 through 11, which means that you’re getting long, hot summers and temperate winters. Not going to be raising many anywhere near the Ohio river, but if you’re one of my far-flung readers and you’re looking for some new outdoor décor, just an option…

The Bodega Bay Bookend and another Sonoma Snowball

You might remember the Naked Vine’s May trip to California, where the Sweet Partner in Crime and I plopped ourselves down in the town of Sonoma, tooled around a bunch, and tried some delicious wine thanks to the Naked Vine Snowball Technique, which I described thusly:

How does this work? Start at the place where you’re staying. These people live there. They know things. Say something like, “We’re looking for a good place to start. We want somewhere fun, laid back, and not overly pricey.” Replace those descriptors with whatever you want…expensive wines, pinot noir specialists, great gift shop -- whatever floats your cork. You’ll end up with at least a couple of recommendations. Pop in to one of them and do a tasting. Chat. Enjoy. If you feel like you make a connection, then repeat your question to the good folks behind the bar. These people live there. They know things. They’ll mention a couple of other places. Those places will mention other places. Patterns form in the recommendations. You now have your guide. Go forth and enjoy.

We decided to head back out west again just before school started – this time using the Sonoma Coast as our base of operations, since we’d not done much exploration of that area of this wonderful wine region. The evening drive through the fog from SFO to the town of Bodega Bay was a bit harrowing, but all's well that ends well! We got checked in to the Bodega Bay Lodge (which I recommend once you get used to the foghorn in the bay going off every 30 seconds) and got ready for our new tour of the county.

 

(c) the San Francisco Chronicle

The Sonoma Coast AVA (AVA = “American Viticultural Area” – the designation for a subregion within a growing areas), as you can see, is a fairly large portion of Sonoma County. Most of the vineyards in this AVA are at much higher altitude than the rest of the county You might remember, during my writeup of the last Sonoma trip, that I discovered a preference for “mountain fruit” vs. “valley fruit” wines. Mountain fruit grapes from the generally cooler, breezier climates like the Sonoma coastal region create wines that are less fruit-forward and more subtle in flavor. 

These areas favor cool weather grapes such as pinot noir, rather than the Cabernet and Zin that you’d find just a few miles inland as the crow flies. The climate also gives an interesting twist to the Chardonnay and Syrah some growers are producing. The region also produces some absolutely fabulous rosé.   Many of these wines also tend to be somewhat more expensive, as the grapes are more difficult to grow and harvest. It’s easy to burn through a lot of coin ordering stuff if you’re not careful.

 

We started the snowball in Bodega Bay at a wine and gift shop called Gourmet Au Bay. Their trademark is their “wine surfing” samples, in which you get three pours on a surfboart. After a couple of tastes and a discussion about what we liked, we talked to the manager, Sissy, to see what she might recommend. Out came the highlighter and the map of Sonoma County, and we were off. 

Just getting under way. Two down, one to go.
(Snowball forming on map...)

With the narrow, twisty roads of this part of Sonoma County, we didn’t hit as many wineries as we could have – but I was pleased with our finds. Here were some of our favorites:

Iron Horse Vineyards – The gorgeousness that is the Iron Horse property is right on the border of the Sonoma Coast and Russian River AVA’s, so I’m including it. If you remember, Iron Horse was the tasting experience which started The Naked Vine down its path of oenological debauchery. Nine years had passed since we were last there, and they seem to have done pretty well for themselves in the interim. Unlike nine years ago, when they were crafting incredible cabernets (one of which, “Benchmark,” was the celebratory bottle when the Sweet Partner in Crime made full professor), they only make wine from estate fruit now. This means that they grow only Chardonnay and Pinot Noir – much of which goes into the sparkling wines for which they’re well known. We were fans of the Ocean Reserve Blanc de Blancs ($45), a sparkling wine that has an attachment to the National Geographic Ocean Initiative. Their pinot noirs were exceptional, but quite pricey. The $70 pricetag on the Russian River Pinot Noir was steep, but it’s a great wine. (http://www.ironhorsevineyards.com/)

Our return to the scene of the crime...Iron Horse.

Lynmar Estate – I’ve talked before about my notion of “wood theory” – in that there’s generally an inverse relationship between the amount of burnished wood in a tasting room and the quality of the wine. Lynmar is an exception to the theory, as their tasting room and surrounding gardens (which include a rosemary shrub taller than I am!) are lovely places to linger. The wine, as well, is lovely to linger over. Their focus is pinot noir and chardonnay, although they’ve begun cranking out some cool-climate Syrah. We really enjoyed their spread. I thought their Russian River pinot noir at $40 was exceptional, especially for the price. Lynmar also was where we discovered that a lot of these wineries are producing some pinot noir for the express purpose of creating rosé, like the good folks in Provence. Lynmar’s rosé was top notch. Their Quail Hill chardonnay, while hardly a bargain at $55, is simply luscious. (http://www.lynmarestate.com/)

Red Car Wine – Red Car won the “most interesting tasting room” prize from us on this trip, with its funky collection of memorabilia and a vibe that stops on the playful side of hipster. Red Car focuses almost exclusively on production from high-altitude, cold-climate vineyards, which produces very bright, clean, flavorful wine at relatively low alcohol levels. For instance, I don’t see a lot of Syrah under 13.5% alcohol, and Red Car’s Estate ($50) clocked in at 13.3% with gorgeous layers of plum, earth, and chocolate. Their Chardonnay ($35) could have fooled me into thinking it was a white Burgundy along the lines of the clean but oaky Meursault. Their pinots, which start around $40, also have a bit of that lean Burgundian earth and smokiness – and fruits that are very clean and striking. Highly recommended. (http://www.redcarwine.com/)

Red Car's tasting room. Good fun.

Taft Street Wines – “Garagistes since 1979” is their proud announcement. Garagistes were winemakers inBordeaux who operated outside the strict French guidelines for wine production, often making their wines in garages rather than on chateaux. The American iteration, which moved from a garage in Berkeley to an old apple processing plant in Sebastapol, was the best overall value of any of our stops. Their estate pinot is under $35, and I took a shine to their Alexander Valley Merlot, which at $20 was the best QPR I found on the trip. Fruity and lush with a really nice cocoa backbone, it’s worth stocking up on. They also produced some of the few sauvignon blancs we tried on the trip -- a steal at $18. (http://www.taftstreetwinery.com/)

Joseph Phelps Freestone Vineyards – Joseph Phelps is a very accomplished Napa winemaker. He’s produced three cabernets -- his “Insignia” label -- that earned 100 points from Robert Parker, including his 2002, which was named Wine of the Year by Wine Spectator. In 2007, Phelps opened a winery in the Sonoma Coast region for the grapes grown in his new Freestone Vineyards in the Sonoma Coast AVA. The $55 Freestone Vineyards pinot noir was a delicate, wonderfully balanced offering – full of fruit and smoke. We also discovered Phelps’ “second label” wine – Fog Dog – which were perfectly decent pinot noir and chardonnay, although at the price point, there were better wines in the county. We also had the opportunity to try the 2006 vintage of the “Insignia” which would retail for $240 – making it the second-most expensive wine I’ve ever tried. Needless to say, it was a pretty damned good wine. (http://www.josephphelps.com/)  I’ll be writing more about Phelps in the future, so stay tuned.

Fort Ross Vineyard – Fort Ross was the one Sonoma Coast tasting room we visited that was actually on the coast – about a 35 minute drive from Bodega Bay up the windy Pacific Coast Highway up through Jenner (where you absolutely must stop and get a sandwich and a beverage at Café Aquatica) and then up into the mountain fog to the beautiful tasting room, where you can watch the sun burn away the clouds as you sip on some excellent pinot noir and chardonnay. My favorite selection of theirs, however, was a grape I’d not seen anywhere else in the region: Pinotage, the national grape of South Africa – the native country of owners Lester and Linda Schwartz. I like South African pinotage just fine, but it’s usually a rough wine that calls for a big slab of meat from the braai. Planted in these coastal altitudes, the Fort Ross pinotage ($48) yields a rounder, smoother – yet still muscular – glass that features blackberry flavors and a really nice earthiness. Their pinot noir ($42-70) and rosé ($24) were also top notch. (http://www.fortrossvineyard.com/)

Fort Ross Vineyard -- Nice view, eh?

Fog Crest Vineyard – Our last stop was a lovely one, here at one of Sonoma’s newest tasting rooms. It’s so new (it just opened this year) that it’s not on the touring maps – and we only learned about it from our friends at Gourmet Au Bay. We were very glad that we made the turn up the driveway and planted ourselves on their lovely terrace overlooking the vineyard for our final tasting of the trip as we headed out of town. The view was a little reminiscent of Iron Horse – so yet another bookend. We really enjoyed the Estate Chardonnay ($39), chock full of crème brulee and spice and their full-flavored Estate pinot noir ($55) with its smoky layers that would be good to stash for a couple of years. The wine that made the biggest impression on me, however, was their Rosé ($21), Rich and fruity for a dry rosé, it’s clearly lovingly crafted. I pulled the trigger on a case for home, since one can never have too much good dry rosé around. (http://www.fogcrestvineyard.com/)

Saying farewells to Sonoma at Fog Crest.

If you’re over in that neck of the woods, I'd also recommend driving around Bayshore Drive in Bodega to get some oysters at Fisherman’s Cove (http://www.bodegabayoysters.com/), get dinner at Terrapin Creek Café (http://www.terrapincreekcafe.com/); and snag brunch at Willow Wood Café in Graton (http://www.willowwoodgraton.com/).

Cheers!

Sonoma and the Snowball

The Sweet Partner in Crime and I made our first trip to Sonoma County in 2005. Our first stop upon entering the county, before even checking in and unpacking, was at Iron Horse Winery, where we cobbled together a lovely picnic amongst rows of Cabernet Sauvignon vines. We hit a couple of other wineries before making it to our B&B, where we went to a happy hour down in their “speakeasy” of a tasting room. In just half a day, we had learned quickly that we were surrounded by so many good wines…zins, cabs, syrahs, merlots…and I wanted…no, I needed…to try them all. In three days. I saw the light. My mission was clear.

I went a little crazy.

The Origin of Madness

I had some recommendations from my more knowledgeable friends of several wineries to hit and we kept adding to the list as we tried new wines. We zoomed though the valleys, bouncing from tasting room to tasting room like a meth-addled census taker. I thought a dozen tasting rooms a day seemed perfectly logical, starting at the first one to open and running the gamut until they closed up shop. Sure, we covered a lot of ground, but needless to say, this isn’t the most relaxing way to spend a vacation.

To the great benefit of my palate, my liver, and the SPinC’s willingness to keep me around, my strategy has changed a bit in the ensuing years. I have no more illusions about trying to drain the contents of entire valleys. So, on our recent return to Sonoma, rather than trying to run down a bunch of wineries someone else thought would be good, we took matters into our own hands based on our own conversations and connections once we arrived. The Naked Vine Snowball Technique was born.

The Snowball’s central idea comes from a research method called snowball sampling -- a recruitment technique in which participants are asked to assist researchers in identifying other potential subjects. In short, after someone takes a survey, the researcher asks, “Do you know other folks who might be interested in participating?” Those referrals leads to other referrals, growing in number as the virtual snowball rolls down the hypothetical hill.

How does this work with tasting rooms? Start at the place where you’re staying. They live there. They know things. Say something like, “We’re looking for a good place to start. We want somewhere fun, laid back, and not overly pricey.” Replace those descriptors with whatever you want…expensive wines, pinot noir specialists, great gift shop -- whatever floats your cork. You’ll end up with at least a couple of recommendations. Pop in to one of them and do a tasting. Chat. Enjoy. If you feel like you make a connection, then repeat your question to the good folks behind the bar. They live there. They know things. They’ll mention a couple of other places. Those places will mention other places. Patterns form in the recommendations. You now have your guide. Go forth and enjoy.

We wanted a different experience this time around, so we parked it in the actual city of Sonoma, which is in the southern portion of Sonoma County. Our previous trips were to the northern end of the county near Healdsburg, and the surrounding valleys. Sonoma has 26 tasting rooms in and around its city square. (In the past, I might have tried to hit them all.) We found a distinct contrast with those tasting rooms. Most places we’d been, the tasting rooms were basically outlet stores for well-established wineries with very recognizable names. In Sonoma, however, the tasting rooms were generally run by smaller operations at which many didn’t own vineyards themselves. Many of these winemakers bought grapes from vineyards they liked that fit their needs, producing excellent wine. I like that notion. Egalitarian.

We got to town, dropped our bags at the Inn at Sonoma (highly recommended), made a couple of inquiries to get us started, and off we went. Did we hit all 26? Nope. Not even half of them, truth be told. We had a lovely, relaxing time and made some wonderful discoveries along the way. Heck, we barely had to move our car! Here are our top experiences from the trip:

Two Amigos Winery – We remarked that we’ve had good luck with “tastresses” when we’ve started our little treks. Our first trip to Sonoma was kicked off by a woman named Annalise. This time, Michelle was the one to get our trip off on the correct foot. She was there along with Bob, one of the aforementioned “amigos.” The other amigo is an actor named Squire Riddell, whom you’ll recognize if you watched any TV in the 80’s…

He also played Ronald McDonald after Willard Scott headed to the Today show, so plenty of McDonald’s and clown-themed memorabilia adorn the tasting room.

They had plenty of decent wines. Their 2013 Cabernet Sauvignon was fascinating for a wine that young. I’ll be curious how it develops. The other highlights were their Viognier, a port made from Syrah, and a Syrah from GlenLyon – which is Riddell’s other winemaking venture. Needless to say, McDonald’s must have been a pretty good gig. Michelle and Bob gave us the initial seed for the snowball, leading us to a couple of the following tasting rooms. (http://twoamigoswines.com/)

Bump Wine Cellars – We missed throwing our annual Derby Day party because of our Sonoma trip, but we felt right at home walking into Bump’s tasting room to find a beautiful horse-themed art exhibition by an artist named Tej Greenhill. Bump’s tasting room was far and away our favorite, with warm, contemporary décor and comfortable places to relax and sip. Sip we did. Bump was the best value we found in Sonoma. The winemaker, Geordie Carr, specializes in fermenting wines at cooler temperatures to preserve the aromatics. He sources his grapes from all over Sonoma County through friendly partnerships he’s developed in his travels. Their chardonnay was delicate and nuanced with just a kiss of oak. I don’t classify many zinfandels as “delicate,” but Carr’s technique of slightly early picking and cool fermentation yielded a beautifully aromatic wine that drinks like a good pinot – even at 15.2% alcohol. With nothing (currently) in their portfolio over $28, it’s a good time to stock up. (http://www.bumpwine.com/)

R² Wine Company – Since we’re on a survey research kick, the SPinC, also sometimes known as the Queen of All Regressions, was so very excited to see a winery called R². The r-square statistic, also known as the measure of “explained variance,” is a key measure of many of her multivariate analyses. While the name of the winery has nothing to do with statistics (it’s named after co-founders Richard and Roger Roessler), the notion of “Sonoma wine variance” shone through here. In tasting through the R2 portfolio, we noticed a distinct difference between wines made from Sonoma “mountain fruit” vs. “valley fruit.” The mountain fruit wines in general had earthier, deeper flavors with a mineral character, while the valley fruit wines had bigger fruit flavors and stronger tannins. We enjoyed their Black Pine pinot noir ($26), which was a delicious general California pinot noir. Their Hein Vineyard Pinot Noir ($48) was “smoketacular!” according to my notes. Their “1331” Cabernet ($54) was a quintessential example of a mountain fruit wine, and it was hedonistically complex. (http://www.r2winecompany.com/)

Bryter Estates – Oh, where to begin with Bryter? If you forced me to pick a favorite from this trip, the top prize would go to Bryter with its collection of nuanced, happy wines. Bryter is one of the few wineries we encountered with female winemakers. Terin Ignozzi, the winemaker and co-owner with her husband Bryan (“Bryter” is a fusion of their names), has crafted a portfolio with great range and exceptional quality. All of their wines -- red, white, and rosé – are exceptionally harmonious and clean. The Sweet Partner in Crime remarked, when we tried their rosé after getting back home, that it “tasted like what our walk in Yosemite felt like – sunshine and fresh air.”

We heard in at least three different tasting rooms that we needed to try Bryter “for their bubbles.” No lie. The “Le Stelle” brut sparkler ($38) is excellent, with a nutty, green apple flavor and a creamy mouthfeel. That would have been worth the stop alone, but as we went down the line, we found more surprises. The “Vivant” sauvignon blanc ($34) is crisp and melony – pleasant, pleasant!. Their “Jubilee” rosé of pinot noir ($32) gets a double plus for the lingering fruit and the touch of oak beneath the clean flavor. Our favorite was their “Cadeau” Pinot Noir ($50). “Cadeau” translates as “gift” and was, simply, the best bottle we had on our trip. My note says, “So subtle, so beautiful.” This wine edged its way in with my faves among the Oregon pinots. A must-not-miss. (http://www.bryter.com/)

Walt Wines – Walt sources grapes from all over the west coast, and they do an interesting array of wines. The highlight of our visit with Liz and Terry, our pourers, was their “850 Mile Road Trip” where they showed pinots from the Shea Vineyard in Willamette Valley, Oregon, “The Corners” in Anderson Valley in Mendocino, and Rita’s Crown Vineyard in Santa Rita Hills. (All $65) The pinot flavors ranged “from brambles to boom!” across these three wines, and the tasting was a wonderful exploration of terroir. They also release a wine each year called “Pinpoint Extreme,” which is an anagram for “pinot experiment.” Last year, they added roasted stems to the fermentation. This year, they flash-heated some of the grapes until they exploded. Fun to try new stuff. (http://www.waltwines.com/)

Hawkes Wine – Memorable wine-wise for a really fantastic licorice-and-dark fruit flavored merlot ($35) sourced from vines planted on a seam of clay in one of the vineyards where nothing else would grow; some very well-balanced cabernets; and an estate-pressed extra-virgin olive oil (proceeds to a local kids charity) that blew us away. Before we went to Hawkes, though, I realized that I hadn’t packed very well, and I needed another t-shirt. Hawkes has a neat logo, so I picked one up to wear on our flight home. On the way to the Sacramento airport from Yosemite -- which followed Sonoma on our itinerary -- we stopped for lunch at a restaurant in Lodi called the Dancing Fox. The waitstaff was mostly male and powerfully metrosexual. At least three of them stopped by my table to ask, “Is that Hawkes Winery?” Lodi is about two hours from their tasting room, so I guess it’s the winery of choice for expensive-yet-casually dressed men. (http://www.hawkeswine.com)

Kamen Estate Wines – Kamen is the child of Robert Kamen, whose name you might not recognize, but you’d know his work. He’s the screenwriter for “Taps,” "The Karate Kid," “The Fifth Element,” “The Transporter,” “A Walk in the Clouds,” “Taken,” and various other films. He bought a property in the mountains with the paycheck from his first screenplay, not realizing that he was sitting on a goldmine. His wines were some of the best we tried on the trip, and they’re certainly not inexpensive. His top-of-the-line, “Kashmir,” runs $100+ per bottle. The Syrah ($75) and Cabernet ($80) are also top notch with layer upon layer of flavor. “Opulent” is as good a descriptor as any. “Darned awesome” would also fit. It’s worth a swing through their tasting room – both to try these wines and to hear Robert’s story, which stands in contrast, and made a very interesting bookend, to that of Two Amigos’ Squire Ridell. Needless to say, a commercial actor and a screenwriter have very different views on how wine should be made and how life lands you in various circumstances. While we were there, we were lucky enough to meet Robert himself, who popped into the tasting room briefly. He struck me as an affably sarcastic M.O.T. -- much the same way I hope people think of me. His "Sin while you can -- otherwise Jesus died for nothing" shirt will live forever in my memory. (http://kamenwines.com/)

In addition to all of the wines that you can sample, the town of Sonoma is home to any number of fabulous restaurants, and we worked our way through several. Try the Red Grape for lunch. La Salette is a Portuguese restaurant with fabulous variety and flavor. The Girl and the Fig is a local favorite – contemporary French. The El Dorado Kitchen does some neat takes on American classic cuisine. One of our favorite dining experiences, however, was the Tuesday night we were there – which coincided with the first Sonoma community farmer’s market of the year. The farmer’s market turns into a big community picnic, so we joined right in with a bottle of Bump rosé. Once things started winding down, many locals head over to Murphy’s Irish Pub for an oyster roast and multiple beers. After a few days of wine tasting, beer made for a great way to close a wonderful stretch of vacation.

Get Right Back Where We Started From

I have the good fortune to do a fair number of sample reviews in this space. After I finished my recent review of the wines from Biltmore Estates, Lisa at Folsom & Associates and I got into a discussion about grilling. She offered me the opportunity to sample a couple of Zinfandels from Ravenswood and I accepted. (Shocking, I know. I also received some Big House wines from them, but that’s for another column.)

Cracking these wines brought us a little reminiscence. Zinfandel was the grape that started us down the road towards the household’s oenological addiction. About seven years ago, the Sweet Partner in Crime and I took our first vacation to wine country -- Sonoma, specifically. We’d become wine drinkers at this point, but our house wines were generally Meridian Chardonnay and whatever Rosemount Garden Shiraz blend was on sale at the time.

This way lies madness...and tastiness!

We made our way towards our B&B in Healdsburg – a pretty cushy place called the Grape Leaf Inn. We got there in time for their “evening wine tasting” in the building’s cellar. The cellar was designed as a “speakeasy.” Seriously – the stairs down were hidden by a bookcase. (An architectural feature that I’ve always wanted for The Cave, but it just isn’t practical.) Anyway, we headed downstairs, bellied up to the bar, and our tastress Amy poured us a couple of glasses of Dark Horse Zinfandel. I was skeptical. All I knew about Zin at the time was the cotton-candy-in-a-glass. A little swirl, a little sip…Boom.

This huge, fruity monster of deliciousness changed me forever. I hadn’t encountered anything like it. Our normal Shiraz was a big, fruity creation – but there wasn’t a lot of structure. This was alcoholic, muscular, and in-your-face with dark fruit flavors, tannins, chocolate, and all sorts of other yummies. It practically screamed, “THIS is why you have a palate.”

The descent into oenological addiction.

Over the next couple of years, Zinfandel became a mild obsession for the SPinC and I. We loved the stuff. It went so well with anything grilled and was just dynamite with our evening chocolate. When we got back from California, we cast about for some Zins we could keep around as everyday wines. The one we settled on? Ravenswood.

As Zinfandel’s popularity rose across the country, the flavor profile of everyday Zins began to change, much as California Chardonnays did with “oaky & buttery” at the turn of the millennium. Zinfandels were big wines as it was – but it seemed like there was a race on between many of the major producers to make the biggest, baddest, highest-alcohol juice possible. I remember seeing Zins that were upwards of 17% alcohol. This change, coupled with our exploration of wines with a little more subtlety, caused us to drift away from Zin for a while. I was looking forward to sampling our old friend Ravenswood to see if things might have mellowed out a bit. Besides, everyone needs a big-ass wine from time to time, especially if that wine brings back happy memories.

Ravenswood makes several levels of Zin. Their “Vintner’s Blend” series comes from grapes from across California. They make “County” wines from some of the major Zin-growing regions of the state, as well as some single vineyard and limited release wines. We received two bottles – the Ravenswood 2010 Vintner’s Blend Old Vine Zinfandel and the Ravenswood 2009 Lodi Zinfandel. The Vintner’s blend retails for around $10. The Lodi around $13.

(One quick note about the term “Old Vine.” There's no real guideline for what constitutes an actual "old" grapevine. The general rule of thumb is "older than 45 years." Winemakers usually turn to Potter Stewart for direction -- they know it when they taste it. Since there's nothing cast in stone, the term can be applied somewhat loosely for marketing reasons.)

On tasting, I was relieved to discover the fruit bomb-iness that I’d come to associate with most California Zins had been dialed back a little bit, apparently. Don’t get me wrong, these are both pretty beefy wines, but the alcohol content is a much more manageable 13-15%. There’s a nice flavor contrast between those two. The Vintner’s Blend seems designed more of a crowd-pleaser. There are big cherry and blueberry scents and flavors, but the tannins are relatively mild and the finish is lingering and somewhat soft initially.

The Lodi had a little more character.” It needed some vigorous swirling, because straight from the bottle, it was very tannic and tight. Once it opened, there’s distinct vanilla on the nose. The flavor has the same backbone of dark fruit, but it’s spicier and adds plums. The tannins gripped firmly and lingered much longer than the Vintner’s. We split on these. I preferred the Lodi. The SPinC, the Vintner’s. In short, if more tannin is your thing, go with the “County” wines.

With food, Zinfandel cries out for MEAT, and the classic pairing is a slab of messy barbecue ribs. Alas, the SPinC and I are on a bit of a diet, so ribs weren’t an option. We settled for a couple of nice spice-rubbed steaks, some foil-pack beets from our garden, and some garlic-sauteed red potatoes. Alongside the meal, the Vintner’s was better as general all-around table wine. However, the Lodi was simply exceptional next to the beets and the potatoes. It seemed like it played along in a more friendly fashion with the beets’ sweetness. With chicken or ribs slathered in barbecue sauce or a sweet rub, the Lodi would probably be a solid bet.

Cracking Open the Good Stuff -- Volume 1 -- Göpfrich

After our 100th review, I figure this is a good a time to make a slight change around here. Now don't go worrying, I'm still keeping my focus on inexpensive, quality wines. You'll still be able to get your Vine fix and that will remain the primary focus of the site. As I've tried more and more wine, my palate has broadened -- as does anyone's who keeps one hand on a tasting glass for any length of time. Many of these wines are simply too good not to share my thoughts about with all of you out there.

So, from time to time, I'm going to start jotting down a few notes on wines that are slightly higher priced -- because everyone needs a good special occasion wine from time to time. (Or, to paraphrase Virginia Madsen from Sideways -- anytime you open a good bottle of wine is a special occasion.) I'm going to start with a bottle that helped me first understand what a good bottle of wine can be.

The Sweet Partner in Crime came home with a delicious looking porterhouse steak that simply begged to be grilled up. We put together a couple of foil packs for vegetables -- new potatoes with some rosemary and basil from our garden and Brussels sprouts with some garlic, olive oil, and feta cheese. It was a Friday night after a particularly grueling couple of weeks at work, so we decided to pull something out of the "special occasion" rack.

I dug around and came out with the Göpfrich 2003 Reserve Cabernet Sauvignon. Göpfrich is a Sonoma Country winery that we visited on our first trip to wine country. It's a small operation in Dry Creek Valley run by Ray and Bonnie Goepfrich. We stumbled upon the place while we were out tasting and Ray was good enough to let us try some of his bounty even though we didn't have an appointment when we popped in.

At the time, I thought his wines were some of the best I'd ever tasted, especially the Cabernet Sauvignon. Many bottles of wine have passed under the bridge and through the liver since then, and I still stand by my estimation. Especially at the price point (the current reserve cab is $38 a bottle), these wines are astoundingly good. Theirs was the first wine club that we joined, and we've been loyal customers every since that day.

Most Göpfrich wines are high in alcohol, so they're a little "hot" when first poured. So, after letting the wine breathe for a little while, we got to work on dinner and eventually poured a little -- just to get a sense. Even after half an hour, the wine still hadn't quite opened up -- but once it did (took about another 20 minutes -- just in time to eat), the wine was nothing short of spectacular.

The nose was rich and layered with blackberries, coffee, and chocolate. There was a quick burst of fruit when first sipped, but that fruit quickly mellowed into a long, rich, chocolate-and-berry filled midpalate. The wine's richness continued into an exceptionally well-balanced finish that lingered strongly for well over a minute. This was a "take a sip, close your eyes, and dream" sort of wine, one that continued to open up over the course of the evening -- flavors of blueberry peeked out around the edges, and the finish became smokier.

With the food? Well...nothing short of divine. There's really not much I can add. A great cut of meat, grilled properly and a top line cabernet -- there's simply no way to go wrong. We saved a splash for chocolate later in the evening. Again, impeccable.

Göpfrich is always my first recommendation when I get asked about Sonoma wine country. They ship nationwide.